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This volume covers the 3rd Generation of Descendants, 2nd Generation of Descendants, 1st Generation of Descendants, Generation of Peers, and the 1st Generation of Ancestors. Larry has been working on his genealogy for several years and has amassed a substantial amount of information about the Duke Family of Group 2. His collection consists of paper documents, electronic documents, information stored in online databases, and a plethora of information gathered from family members he met online while on his quest for the truth about his family. Jennifer Ann Hatfield, a professional genealogist with 30 years of experience, is credited with igniting Larry's interest in family history and research...
In Moscow, the sound of bones echoes across Red Square. In America, skeletons patrol the streets of Manhattan and blood stains the cornfields of the Midwest. While in Washington, D. C., Abraham Lincoln is heading for his third term in the White House. The best-and worst-of humanity are back with a vengeance, a skeletal army hell-bent on conquering the living and uniting the world under the banner of the dead. Against this bloody backdrop of global horror, a small group of refugees find themselves drawn together by a single vision and a shared fate: to determine whether the last two humans on earth will survive or join the ranks of the newly risen. SKELETONS Terrifying and outrageous, Skeletons is a roller coaster ride into the fibrillating heart of darkness by one of horror's scariest writers.
Inner city communities in the US have become junkyards of dreams, to quote Mike Daviswastelands where gangs package narcotics to stimulate the local economy, gunshots occur multiple times on any given day, and dreams of a better life can fade into the realities of poverty and disability. Laurence Ralph lived in such a community in Chicago for three years, conducting interviews and participating in meetings with members of the local gang which has been central to the community since the 1950s. Ralph discovered that the experience of injury, whether physical or social, doesn t always crush dreams into oblivion; it can transform them into something productive: renegade dreams. The first part of...
Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, ...
In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).
This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.