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BMI-Ramananda Chatterjee
First complete biography of Ramananda Chatterjee in English. The author has sought to present a complete and balanced account of the life and achievements of Ramananda with the help of all available original and secondary material.
Patriots, Poets and Prisoners
Founded in 1907 by the visionary Bengali thinker and reformist, Ramananda Chatterjee, The Modern Review quickly emerged as a vital platform for debates on nationalism, patriotism, history and society. Alongside the leaders of the freedom movement - M.K. Gandhi, Subhas Chandra Bose, Jawaharlal Nehru, Rabindranath Tagore - thinkers like Romain Rolland and J.T. Sutherland contributed to its pages. While questions of self-rule, gender justice and caste inequality were hotly debated, the Review also ran fiction, poetry and personal essays, forging a character for itself that was uniquely literary, political as well as cosmopolitan. Marking Chatterjee's 150th birth anniversary, this anthology, edited by members of his family and introduced by Ramachandra Guha, brings together a selection from the rich archives of the Review to convey its eclectic range and ambitions. Even after a century, the debates that played out in its pages resonate with the spirit of the turbulent times we live in, making it urgently relevant to the state of the nation and the body politic.
Media and Nation Building in Twentieth-Century India
This book profiles twentieth-century India through the life and times of Ramananda Chatterjee – journalist, influencer, nationalist. Through a reconstruction of his history, the book highlights the oft-forgotten role of media in the making of the idea of India. It shows how early twentieth-century colonial India was a curious melee of ideas and people – a time of rising nationalism, as well as an influx of Western ideas; of unprecedented violence and compelling non-violence; of press censorship and defiant journalism. It shows how Ramananda Chatterjee navigated this world and went beyond the traditional definition of the nation as an entity with fixed boundaries to anticipate Benedict An...
The Brahmo Samaj and the Shaping of the Modern Indian Mind
As the forerunners of Indian modernization, the community of Bengali intellectuals known as the Brahmo Samaj played a crucial role in the genesis and development of every major religious, social, and political movement in India from 1820 to 1930. David Kopf launches a comprehensive generation- to-generation study of this group in order to understand the ideological foundations of the modern Indian mind. His book constitutes not only a biographical and a sociological study of the Brahmo Samaj, but also an intellectual history of modern India that ranges from the Unitarian social gospel of Rammohun Roy to Rabindranath Tagore's universal humanism and Jessie Bose's scientism. From a variety of b...
Calcutta
In the popular imagination, Calcutta is a packed and pestilential sprawl, made notorious by the Black Hole and the works of Mother Teresa. Kipling called it a City of Dreadful Night, and a century later V.S. Naipaul, Gunter Grass and Louis Malle revived its hellish image. This is the place where the West first truly encountered the East. Founded in the 1690s by East India Company merchants beside the Hugli River, Calcutta grew into India's capital during the Raj and the second city of the British Empire. Named the City of Palaces for its neoclassical mansions, Calcutta was the city of Clive, Hastings, Macaulay and Curzon. It was also home to extraordinary Bengalis such as Rabindranath Tagore, the first Asian Nobel laureate, and Satyajit Ray, among the geniuses of world cinema. Above all, Calcutta (renamed Kolkata in 2001) is a city of extremes, where exquisite refinement rubs shoulders with coarse commercialism and political violence. Krishna Dutta explores these multiple paradoxes, giving personal insight into Calcutta's unique history and modern identity as reflected in its architecture, literature, cinema and music. CITY OF ARTISTS: Modern India's cultural capital; home city of
‘Greater India’ and the Indian Expansionist Imagination, c. 1885–1965
This book is the first systematic study of the genealogy, discursive structures, and political implications of the concept of ‘Greater India’, implying a Hindu colonization of Southeast Asia, and used by extension to argue for a past Indian greatness as a colonial power, reproducible in the present and future. From the 1880s to the 1960s, protagonists of the Greater India theme attempted to make a case for the importance of an expansionist Indian civilisation in civilizing Southeast Asia. The argument was extended to include Central Asia, Africa, North and South America, and other regions where Indian migrants were to be found. The advocates of this Indocentric and Hindu revivalist appro...
The Caravan April 2020
The Caravan is India’s most respected and admired magazine on politics, art and culture. With a strong literary flair, the magazine presents the best of reportage and commentary on politics, policy, economy, art and culture from within South Asia. It has become an essential read for anyone interested in understanding the political and social environment of the country.
Visions of Greater India
Shows how the transimperial knowledge networks of 'Greater India' energized the interwar nationalist, internationalist and anti-colonial imagination in British India.
Educational Philosophy of Dr S Radhakrishnan
‘The spiritual homelessness of modern man cannot last long,’ thus believed Dr Sarvepalli Radhakrishnan (1888-1975), a prominent philosopher, educationalist, and one of the makers of modern India. His solution to the problems of humanity is a return to the religion of spirit, to be achieved through the right kind of education. Radhakrishnan advocated a sound educational philosophy aimed at harmonious development of the human personality, with utmost emphasis on moral and spiritual education. This book effectively presents Radhakrishnan’s thoughts, highlighting their relevance to the present day. The author has at length discussed Indian philosophy in comparison with the Western thought and successfully established that the East-West synthesis as propagated by Radhakrishnan is the need of the hour to arrest the self-destructive tendency of the world and ensure development and peace. Readers will also get an account of Radhakrishnan’s life story in the backdrop of the political history of pre and post-Independent India.
Art and Nationalism in Colonial India, 1850-1922
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
