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Critics from the UK, US, Australia, Canada and Japan discuss views on canonical surrealist works , and the role of surrealism in modern cinema, animation, digital cinema and documentary.
In Lev Shestov: Existential Philosopher and Religious Thinker, Michael Finkenthal explores the evolution of Lev Shestov's philosophical and religious intellectual contributions. The hermeneutical effort is mainly based on the Shestovian oeuvre, but his thought is considered in light of existential philosophies in their evolution from Pascal, Nietzsche, and Kierkegaard to those of the twentieth century. Shestov's «deconstruction» of philosophy is discussed parallel to the analysis of the formation of his religious thought and its relevancy in the context of efforts by Buber, Rosenzweig, and Levinas to redefine Judaism.
A comprehensive collection exploring the role of ideas, institutions, and movements in the evolution of Russian religious thought, Contains cutting-edge scholarship that expands understanding of one of the richest aspects of Russian cultural and intellectual life, Considers the influence of Russian religious thought in the West and the role of religion in aesthetics, music, poetry, art, film, and the novel, An authoritative reference for students and scholars Book jacket.
"In Lands of Likeness, philosopher, theologian, and poet Kevin Hart utilizes the history of Christian thought and secular philosophy to develop a novel and profound hermeneutics of contemplation. Drawing in particular on the work of Arthur Schopenhauer, Samuel Taylor Coleridge, and Edmund Husserl, Hart traces the development of notions of contemplation in modernity and refines the approaches he finds there. Utilizing his refined approach, Hart trains our attention on modern poems from G. M. Hopkins, Wallace Stevens, A. R. Ammons, Geoffrey Hill and others as sites for a kind of contemplative reading that phenomenology can make precise. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world"--
Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
Stephen Henighan, a Romanian grammar book and hours of language tapes under his belt, billets with a family as an English teacher in Moldova, a country born from the dismantling of Romania during World War II. As a Westerner in this "lost province" and former Soviet republic, Henighan feels he’s an unnerving disappointment for many Moldovans, especially to the MTV-addicted, twenty-year-old Andrei.
This book scrutinizes the genre of the author-as-character with respect to three broad issues--authorship, the posthumous, and cultural revisionism--that arise in reading such works from a contemporary perspective. Late twentieth-century fiction "postmodernizes" romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's The Blue Flower, Peter Ackroyd's The Last Testament of Oscar Wilde and Chatterton, Peter Carey's Jack Maggs, Michael Cunningham's The Hours, Colm Toibin's The Master, and Geoff Dyer's Out of Sheer Rage: Wrestling with D. H. Lawrence--"the mighty dead" (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a post-modern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. Laura E. Savu is a lecturer at the University of Bucharest.
The collection is comprised of twelve scholarly essays written by leading Chekhov specialists from around the world, each analysing an interpretation of Chekhov by one of three Russian thinkers of the Silver Age of Russian culture - Vasilii Rozanov, Dmitrii Merezhkovskii and Lev Shestov. It thus examines the hitherto under-researched relationship between the origins and the results of the cultural phase that came to be known as the Silver Age, and focuses specifically on the complex connections betweens Chekhov's legacy and the Russian culture of that period.
This is the first book-length examination of the work of an important contemporary thinker in the continental tradition, William Desmond. Desmond's thought is a new, post-modern way of articulating what he calls the 'between' which is human existence. Rooted in Plato and Augustine, and advancing through a confrontation with Hegel and Nietzsche, Desmond rejects facile scepticism and wins through to a strikingly original and powerfully searching articulation of the human. The present volume contains essays on Desmond's work both by emerging scholars and by well-established thinkers. It also contains a specially written essay on the practices of philosophy by Desmond himself.