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Militarism and international relations in the 21st century -- Twenty-first century militarism : a historical-sociological framework / Martin Shaw -- Challenging cartographies of enmity : empire, war and culture in contemporary militarization / Simon Dalby -- Militarism, "new wars" and the political economy of development : a Gramscian critique / Nicola Short -- War becomes academic : human terrain, virtuous war and contemporary militarism: an interview with James der Derian / Anna Stavrianakis and Jan Selby -- From Oslo to Gaza : Israel's "enlightened public" and the remilitarization of the Israeli-Palestinian conflict / Yoav Peled -- From political armies to the "war against crime" : the tr...
Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World. Inspired by Deleuze and Guattari’s image of a “rhizome,” the author takes a de-territorialized approach to revolutionary filmmaking, embracing the diversity and fluidity of revolutionary works in the “Arab World.” As well as outlining the documentary film histories of the main film-producing nations of the region – Syria, Lebanon, Palestine, Egypt, Tunisia, Algeria and Morocco – the book...
This book is the first ethnographic exploration of gender, race and class practices amongst British born or raised Arabs in London. Ramy M.K. Aly looks critically at the idea of 'Arab-ness' and the ways in which ethnic subjects are produced, signified and recited in the city. Looking at everyday spaces, encounters and discourses, the book explores the lives of young people and some of the ways in which they 'do' or achieve 'Arab-ness'. Aly's ethnography uncovers narratives of growing up in London, the codes of sociability at Shisha cafes and the sexual politics and ethnic self-portraits which make British-Arab men and women. Drawing on the work of Judith Butler, Aly emphasises the need to move away from the notion of identity and towards a performative reading of race, gender and class. What emerges is a highly innovative contribution to the study of diaspora and difference in contemporary Britain.
This is the first exploration of the performative and theatrical force of Austen’s work and its afterlife, from the nineteenth century to the present. It unearths new and little-known Austen materials: from suffragette novels and pageants to school and amateur theatricals, passing through mid-twentieth-century representations in Scotland and America. The book concludes with an examination of Austen fandom based on an online survey conducted by the author, which elicited over 300 responses from fans across the globe. Through the lens of performative theory, this volume explores how Austen, her work and its afterlives, have aided the formation of collective and personal identity; how they have helped bring people together across the generations; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.
This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s The House at Sugar Beach, Sisonke Msimang’s Always Another Country, Leila Ahmed’s A Border Passage, Noo Saro-Wiwa’s Looking for Transwonderland, Douglas Rogers’s The Last Resort, Elamin Abdelmahmoud’s Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil’s The Girl Who Smiled Beads and Aminatta Forna’s autobiographical writing – to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label ‘African’ writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone ‘Africa’, often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation.
Arshad examines the phenomenon of ‘democratic backsliding’ in post-2011 Egypt. Capturing a critical juncture in Egyptian politics, this book explains the failure of Egypt’s nascent democratic experiment and its relapse into authoritarianism. Egypt is the crucial playbook to understand the reversal of a country towards an authoritarian regime and what measures state and non-state actors should employ to prevent backsliding. The book is an essential model for understanding democratic backsliding through ‘structural and agential’ factors. The former encompasses society, politics, economics, and the military, while the latter deals with the choices and attitudes of the leadership during the political transition. Providing crucial insights into what went wrong during the democratic transition process, this text acts as a guide to curbing the rise of authoritarian regimes in the face of the next potential revolution. The book is a valuable resource for scholars who are interested in democratisation, authoritarian regimes, military leadership, political protests, and political leadership.
"Providing a connected history of the ends of the French and British empires, this examines the support the British left gave Algerian liberation movements and shows that the debates it triggered influenced ideas and practices of socialism, internationalism and solidarity in Britain"--
The first history of London to show how immigrants have built, shaped and made a great success of the capital city London is now a global financial and multicultural hub in which over three hundred languages are spoken. But the history of London has always been a history of immigration. Panikos Panayi explores the rich and vibrant story of London– from its founding two millennia ago by Roman invaders, to Jewish and German immigrants in the Victorian period, to the Windrush generation invited from Caribbean countries in the twentieth century. Panayi shows how migration has been fundamental to London’s economic, social, political and cultural development.“br/> Migrant City sheds light on the various ways in which newcomers have shaped London life, acting as cheap labour, contributing to the success of its financial sector, its curry houses, and its football clubs. London’s economy has long been driven by migrants, from earlier continental financiers and more recent European Union citizens. Without immigration, fueled by globalization, Panayi argues, London would not have become the world city it is today.
This contemporary ethnographic study of German theatre brings anthropology into renewed dialogue with theatre and performance studies.