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Edició i estudi d'una obra de teatre mallorquí del segle XVIII referent a la vida de Ramon Llull, escrita per un autor anònim del cercle dels franciscans, favorables a les doctrines lul·lianes.
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This book attempts to explain the functioning of the combinatorial, semi-mechanical demonstrative techniques of Ramon Llull’s ‘Art’, how it began as an apologetic instrument, how it developed through two main stages, and how it ended trying to reformulate key aspects of medieval Aristotelian logic.
Ramon LLull (1232-1316) was born the son of a prosperous Catalan merchant and spent his youth pursuing worldly pursuits, until a series of powerful visions of Christ moved him to devote his life entirely to serving God.
A survey of the work of the Majorcan lay theologian and philosopher Ramon Llull (1232-1316), along with examples of its wide influence in late medieval, Renaissance, and early modern Europe and in colonial Spanish America.
The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion.
Ramon LLull (1232-1316) was born the son of a prosperous Catalan merchant and spent his youth pursuing worldly pursuits, until a series of powerful visions of Christ moved him to devote his life entirely to serving God.
Este libro presenta la historia del culto al beato Ramon Llull, una figura religiosa importante en la Cataluña medieval. La obra aborda el origen y desarrollo del culto al beato, su influencia y legado en la cultura y la religión de la época. Miguel Juan Net ofrece una visión interesante y profunda sobre la figura de Ramon Llull, su vida y su obra. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.