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What does it take to overcome fear? In a word, listening. Learning to quiet fear and listen three-dimensionally-to one's own inner voice, to others, and to the enviornment-is the practice Cutler and Huntsberry call creative listening. This book tells the story of how the authors stumbled upon this discovery and how it can help people from all walks of life to live more creatively and fearlessly.
Many pupils were studying meditation under the Zen master Sengai. One of them used to arise at night, climb over the temple wall, and go to town on a pleasure jaunt. Sengai, inspecting the dormitory quarters, found this pupil missing one night and also discovered the high stool he had used to scale the wall. Sengai removed the stool and knelt in its place. When the wanderer returned, not knowing that Sengai was the stool, he put his feet on the master's head and jumped down into the grounds. Discovering what he had done, he was aghast. Sengai said, "It is very chilly in the early morning. Do be careful not to catch cold." The pupil never went out at night again. (Adapted from Zen Flesh, Zen Bones compiled by Paul Reps)
This volume presents to the general public the reflections of a group of social scientists and theologians who gathered in the spring of 1969 in Rome to explore “The Culture of Unbelief,” and who have subsequently continued their interest in the subject. The book departs in places from the actual order of events of the symposium to accommodate papers prepared explicitly for publication after the symposium was over.—from the Editors’ Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
One of the most influential sociologists living today, Robert N. Bellah began his career as a Japan specialist, and has continued to contribute to the field over the past thirty years. Imagining Japan is a collection of some of his most important writings, including essays that consider the entire sweep of Japanese history and the character of Japanese society and religion. Combining intellectual rigor, broad scholarship, and ethical commitment, this book also features a new and extensive introduction that brings together intellectual and institutional dimensions of Japanese history.
Beyond Belief collects fifteen celebrated, broadly ranging essays in which Robert Bellah interprets the interplay of religion and society in concrete contexts from Japan to the Middle East to the United States. First published in 1970, Beyond Belief is a classic in the field of sociology of religion.
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Evangelism is about reaching out to others. Really? You think? Brace yourself. In Nudge, author Leonard Sweet sets out to revolutionize our understanding of evangelism. He defines evangelism as “nudge” – awakening each other to the God who is already there. Sweet’s revolution promises to affect your encounters with others, as well as shaking the very roots of your own faith. So brace yourself.
Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making. Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organized into seven broad domains: Conceptual and philosophical concerns Processes of making Dance dramaturgy: structures, relationships, contexts Choreographic environments Cultural and intercultural contexts Challenging aesthetics Choreographic relationships with technology. Including 23 new chapters and 10 updated ones, Contemporary Choreography captures the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.