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Investigating the relations between American literature of the late nineteenth and early twentieth centuries and the sciences of the brain and the nervous system, this volume shows how literary authors investigated, used and challenged this emerging neurophysiology.
"Clarifies why understanding Mark Twain's writing is essential to understanding enduring patterns and problems in American culture. Conversely, it compellingly illustrates why one does not fully understand Mark Twain's work unless one has some understanding of America's preoccupation with performance, conspicuous display, and the mental sciences."--Howard Horwitz, author of "By the Law of Nature: Form and Value in Nineteenth-Century America" "In place of the strictly literary frame of reference that has previously organized the Twain canon, Knoper productively focuses on the spectrum of theatrical attitudes whereby Twain reconfigured his culture's race and gender hierarchies into the power t...
A Study Guide for Mark Twain's "The Adventures of Huckleberry Finn," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations o...
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