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The Architecture of the Facade provides a comprehensive study of the facade as both a physical and cultural artifact, highlighting its significance as a critical component of the civic realm and arguing for the restoration of the art of the facade as both a subject of study within academia and an aspiration within the profession at large. As the principal surface of mediation, contextualization, and representation, the facade carries the lion’s share of responsibility for containing the internal environment and confronting the outer world. And yet, in recent decades, the very question of what exactly a facade is has been raised by the dramatic changes in building technology, advances of pa...
This book orchestrates a convergence of two discourses from the 1960s—Nelson Goodman’s aesthetic theory on one side and critiques of modern architecture articulated by figures like Peter Blake, Charles Jencks, and Robert Venturi/Denise Scott Brown on the other. Grounded in Goodman’s aesthetic theory, the book explores his conceptual framework within the context of modern architecture. At the heart of the investigation lies Goodman’s concept of exemplification. While his notion of denotation pertains to representational elements, often ornaments, in architecture, exemplification accentuates specific formal properties at the expense of others, including color, spatial orientation, tran...
»Building Institution« chronicles the expansion of architecture as a profession and discipline in the postmodern era. Kim Förster traces the compelling history of the Institute for Architecture and Urban Studies, which was active in New York from 1967 to 1985. Drawing on extensive archival research and oral histories, he constructs a collective biography that details the Institute's diverse roles and the dynamic interplay between research and design, education, culture, and publishing. By exploring the transformation of cultural production into a practice as well as the culturalization and global postmodernization of architecture, the volume contributes significantly to the institutional history of architecture.
A collection of essays from 26 issues of "Oppositions", this text presents contributions from architects, theorists and historians such as Aldo Rossi, Alan Colquhom, Leon Krier and Denise Scott Brown, amongst others, are included.
Building on the success of the first edition, an engaging and reader-friendly work on complex ideas, Introducing Architectural Theory: Expanding the Disciplinary Debate, broadens the range of themes, voices, and geographies represented to provide a more comprehensive and contemporary theory book. This book presents major discourses in architectural theory and design in a debate-like format, integrating a series of edited texts across architectural history with context and newly written commentaries by the authors. This new edition has been fully revised, updated, and expanded to include long-standing debates, such as simplicity vs. complexity or the relationship between form and function, as...
The book is a combined memoir and impressionistic history of the Institute for Architecture and Urban Studies. At first affiliated with New York's Museum of Modern Art and Cornell University, the Institute housed architects, artists and historians who worked on creative design and intellectual projects and would become world renown. Its creation and direction was in the hands of its able leader, Peter Eisenman. Besides a documentary study of the work that went on there, among an international clearing house, the book is laced with impressions of the author's experience there. It has been in the works for over 12 years and was originally financed by the Graham Foundation for the Study of the ...
Unpublished writings of Colin Rowe—letters, essays, lectures, and a postcard—clarify his thinking on key concepts while revealing his wit and erudition. Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works The Mathematics of the Ideal Villa and Other Essays (1976) and Collage City (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, “carefully careless,” both witty and erudite. I Almost Forgot gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally sca...
This book presents drawings created between 1972 and 1987 by Rem Koolhaas and Elia Zenghelis, Peter Eisenman, Bernard Tschumi, Daniel Libeskind and Thom Mayne with Andrew Zago.
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