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Orson Welles
Orson Welles, a self-conscious storyteller who often invited his audience to question the methods and veracity of what they see and hear. He was that rare magician who both pulled the wool over our eyes, for our delight, and unravelled the wool before our eyes, encouraging us to ponder the nature of the magic itself. Many of the characters in Welles's movies can also be seen as magicians of a sort, creating impressions intended to manipulate other characters, or even themselves, in one direction or another. But unlike Welles, few of them voluntarily expose their tricks to the scrutiny of their victims. Six major Welles films--Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, The Trial, and Chimes at Midnight--receive a scene by scene analysis in this critical study. From a viewer's perspective it illuminates the dramatic rhythms of each film as they unfold on screen and from the soundtrack. Frequent analogies to other movies and pertinent quotations from the impressions of other commentators broaden the text, but always within the scene by scene progression dictated by the film under discussion.
Stanley Kubrick
Stanley Kubrick had a great talent for creating memorable images--such as his famous jump cut from a bone tossed into the prehistoric sky to a spaceship orbiting the earth in 2001. Like the composer of a great symphony, Kubrick also had the ability to draw his memorable moments into a lyrical whole. Balancing harmony with discord, he kept viewers on edge by constantly shifting relationships among the dramatic elements in his movies. The results often confounded expectations and provoked controversy, right up through Eyes Wide Shut, the last film of his life. This book is an intensive, scene-by-scene analysis of Kubrick's most mature work--seven meticulously wrought films, from Dr. Strangelove to Eyes Wide Shut. In these films, Kubrick dramatized the complexity and mutability of the human struggle, in settings so diverse that some critics have failed to see the common threads. Rasmussen traces those threads and reveals the always shifting, always memorable, always passionately rendered pattern. Instructors considering this book for use in a course may request an examination copy here.
Children of the Night
There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such as Henry Frankenstein gave way to Dr. Nieman (The Ghost of Frankenstein) with his dreams of revenge and world conquest. This work details the development of the six archetypes in horror films and how they were portrayed in the many classics of the 1930s and 1940s.
The Philosophy of Stanley Kubrick
In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism—the belief that philosophical truth has meaning only if it is chosen by the individual—has come down from the ivory tower to influence popular culture at large....
Psycho, The Birds and Halloween
Horror films come in a wide variety of styles and subject matter. Three of the most intimate explorations of terror are examined in this study. Intimate in terms of settings (small towns and an isolated motel) and in the emotional links between the characters and the terrors they face. In Psycho, Norman Bates is a darker reflection of his victim Marion Crane and her lover Sam Loomis. They share frustrations, fears and compulsions, albeit at different levels of intensity. In The Birds, Melanie Daniels and her new acquaintances in Bodega Bay share emotional problems which can impel them to act in destructive ways that are echoed, and then overwhelmed by violence from the natural world. Halloween features a monster, Michael Myers, who has more in common with one of his victims, heroine Laurie Strode, than is evident at first glance. Beyond the link between normality and the violently aberrant, all three films give glimpses of emotional intimacy that is threatened and sometimes tragically destroyed by horror.
Sack Exchange
“If you’re one of those fans who stepped on the Jets bandwagon for the Rex Ryan-Mark Sanchez years, here’s the story of an earlier, wild and woolly era.” —New York Post (“Required Reading” selection) Comprised of all-new, exclusive interviews with Jets players, head coaches, and those closest to the organization, Sack Exchange is not only an eye-opening account of the Jets from this time, but also of the National Football League as a whole. The New York Sack Exchange was the nickname given to the New York Jets defensive line of the early 1980s, consisting of Mark Gastineau, Joe Klecko, Marty Lyons, and Abdul Salaam. Examined are such topics as the beginning of the Jets-Dolphins...
Fostering Resilience for Loss and Irrelevance
The compensating construct of resiliency, itself, has not been compared to the problem of loss of relevancy. Therefore, there is an open corridor for the enlightened therapist, career coach, or mentor to appropriately guide a troubled person with targeted challenges to transform themselves into a newly thriving being. This book explores the topic in detail with references to the literature where prior theory can be applied to advance this topic further. Anecdotal evidence supporting the authors’ perspective is presented, including several brief case studies of individuals who have thrived following cessation of their prior careers.
