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Shrinkwrapped
In a bible belt midwestern town where corporal punishment was seen as positive parenting, Michael Grossman's teachers sent him to see a Freudian psychoanalyst at age 7 -- the first in a parade of therapies that would include Rogerian bear-hugs, Gestalt dream analysis, Rolfing, Bioenergetics and even LSD. Sitting beside the author on a succession of "shrink's" couches the reader follows his progress through one defense after another until he finally achieves a joyful capacity to care for others. Untangling the complex, sometimes abusive family relationships that enmeshed his Midwestern boyhood in the mid-20th century, the author finally uncovers fundamental truths that lead to a profound transformation. By turns funny, poignant and shocking, Shrinkwrapped is a story of hope, of growing insight and ultimately of love reborn.
He Stopped Loving Her Today
A behind-the-scenes look at the creation of a country music masterpiece
Don't Stop Thinking About the Music
In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.
CrossRoads
This first volume of "CrossRoads: A Southern Culture Annual picks up where its predecessor, the acclaimed biannual periodical "CrossRoads: A Journal of Southern Culture, left off when the latter ceased publication in the mid-1990s. Formerly edited by several graduate students affiliated with the University of Mississippi's Center for the Study of Southern Culture (primarily by current editor Ted Olson), "Cross Roads: A Southern Culture Annual will continue its original mission: to provide a forum for diverse perspectives on the South and on Southern culture through combining compelling new fiction and poetry from well-known as well as emerging Southern authors, with eloquent articles, memoirs, oral histories, and photo essays that interpret and celebrate relevant manifestations of the Southern cultural experience. "CrossRoads: A Southern Culture Annual will deepen readers' awareness of and connection to the South.
The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks—U2, Toby Keith, The Dixie Chicks, Bruce Springsteen—this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played—or have refused to play—in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.
Socio-Historical Examination of Religion and Ministry, Volume 2, Issue 1
Socio-Historical Examination of Religion and Ministry (SHERM journal) is a biannual, not-for-profit, free peer-reviewed academic journal that publishes the latest social-scientific, historiographic, and ecclesiastic research on religious institutions and their ministerial practices. SHERM is dedicated to the critical and scholarly inquiry of historical and contemporary religious phenomena, both from within particular religious traditions and across cultural boundaries, so as to inform the broader socio-historical analysis of religion and its related fields of study. The purpose of SHERM is to provide a scholarly medium for the social-scientific study of religion where specialists can publish...
Boom or Bust
A vast number of studies have documented the economic and geological effects of oil production, but the impact of boom-and-bust cycles on individuals and communities has received less attention. Boom or Bust remedies this gap by highlighting the personal experiences of those directly affected in an economy dominated by oil and natural gas production. The Permian Basin is one of the largest oil-producing regions in the United States. People who live there have benefited from explosive growth, only to see opportunities vanish with sudden industry downturns. In 2016, the National Endowment for the Humanities funded a grant for the study and collection of energy narratives in this economically v...
The Supersonic Bone
“This profusely illustrated and thoroughly researched book conveys a wealth of information” about the USAF’s B-1 bomber (Aviation History Magazine). When the B-52 Stratofortress entered operational service with the US Air Force in 1955, work was already underway on defining its successor. The B-70 Valkyrie, a Mach 3 jet bomber, was one option. Although two XB-70A prototypes flew, the B-70 never went into production. Out of the subsequent Advanced Manned Strategic Aircraft program came the B-1A bomber, which flew at high speed and low altitude to evade enemy air defenses. But the B-1A was cancelled in favor of fitting the B-52 with cruise missiles. The B-1, known as the BONE, was revive...
Proud to be an Okie
"Proud to be an Okie is a fresh, well-researched, wonderfully insightful, and imaginative book. Throughout, La Chapelle's keen attention to shifting geographies and urban and suburban spaces is one of the work's real strengths. Another strength is the book's focus on dress, ethnicity, and the manufacturing of style. When all of these angles and insights are pulled together, La Chapelle delivers a fascinating rendering of Okie life and American culture."--Bryant Simon, author of Boardwalk of Dreams: Atlantic City and the Fate of Urban America
Pretty Good for a Girl
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.
