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In the Age of Environment, the scale of waste management is geographic all while often relegating such undesired matter to invisibility as "matter out of place." Geographies of Trash reclaims the role of forms, technologies, economies and logistics of the waste system in the production of new aesthetics and politics of urbanism. Honored with a 2014 ACSA Faculty Design Award, the book charts the geographies of trash in Michigan across scales to propose five speculative projects that bring to visibility disciplinary controversies on the relations of technology, space and politics.
How do we make sense of the Earth at a moment in which it is presented in crisis? To live in an epoch that is shaped by extensive environmental transformations is to be confronted with risks and uncertainties at scales larger than that of the planet. Paradoxically, while we worry that the sky may be falling on our heads, we remain so immobilized in part maybe because of our failures to comprehend the scales of a story that is difficult both to tell and to hear. Two Cosmograms mediates the dissonance between the environmental question at stake and the narrow repertoire of emotions and imaginations with which we try to understand these issues by exploring speculative fiction as the political art that integrates the story of the cosmos into our own life stories. In response to the expansion of infrastructural systems and resource exploitation beyond the Earth, the two projects -Neck of the Moon and Love your Monsters- engage the architectural imaginations of the Cosmos. The speculative fictions probe the politics and aesthetics of technological systems, both in the extra-planetary environment as well as here on Earth.
The Planet After Geoengineering is a graphic novel in five speculative fictions that imagine the worlds of climate modification technologies and their controversies. The term "geoengineering" refers to technologies that counteract the effects of anthropogenic climate change by deliberately intervening in Earth systems. In the midst of a climate crisis, and with disparate views on whether planetary-scale design is the appropriate response at all, The Planet After Geoengineering employs a speculative fiction approach to think with and against geoengineering as a form of planetary management. The graphic novel makes climate engineering and its controversies visible in a series of five stories t...
New Geographies journal aims to examine the emergence of the “geographic,” a new but for the most part latent paradigm in design today—to articulate it and to bring it to bear effectively on the social role of design. Although much of the analysis of this context in architecture, landscape, and urbanism derives from social anthropology, human geography, and economics, the journal aims to extend these arguments to the impact of global changes on the spatial dimension, whether in terms of the emergence of global spatial networks, global cities, or nomadic practices, and how these inform design practices today. Through essays and design projects, the journal aims to identify the relationship between the very small and the very large, and intends to open up discussions on the expanded role of the designer, with an emphasis on disciplinary reframings, repositionings, and attitudes.
In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists--along with architects, urban planners, and artists--to design large-scale space habitats for millions of people. Space Settlements examines these plans for life in space as serious architectural and spatial proposals.proposals.
This book is not a typical academic edited volume. Nor does it subscribe to the usual dictates of an exhibition catalogue. It does not seek to provide a comprehensive overview of work on climate change and museums or claim to have discovered One Quick Trick to Solve the Climate Emergency. Instead, the book reflects the main characteristics of the Reimagining Museums for Climate Action project: it is collaborative, distributed, conversational, subversive, nomadic and, at times, playful. The arguments it puts forward emerge through dialogue and speculation just as much as they respond to and build on empirical research. In this sense, the book is perhaps best seen as a partial and in many ways...
"Until now, most environmental discourse in architecture has focused on carbon as a by-product of building and construction," writes guest editor Elisa Iturbe in Log 47, "making it seem that at the ecological brink, architecture's most pressing concern is energy efficiency." "Overcoming Carbon Form," Log's 200-page thematic Fall issue, reconceives architecture's role in climate change, away from sustainability and solutionism and toward architecture's formal complicity and potential agency in addressing the climate crisis. As Iturbe writes, "Decarbonization is not solely a question of technology and buildings systems but also a theoretical question for architecture and the city, one that que...
Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites-from Venice flooding to extinction in the Galápagos Islands-have garnered empathetic attention in a media landscape that has otherwise failed to communicate the urgency of the climate crisis. In a strategic subversion of the media aura of heritage, DESIGN EARTH casts ten World Heritage sites as narrative figures to visualize pervasive climate risks-rising sea levels, extinction, droughts, air pollution, melting glaciers, material vulnerability, unchecked tourism, and the massive displacement of communities and cultural artifacts-all while situating the present emergency within the wreckages of other ends of world, replete with the salvages of extractivism, racism, and settler colonialism. The possibilities of such climate inheritances are narrated in drawing triotvchs and mythologies that bequeath other worlds and values. With Contributions of Lucia Allais, David Gissen, Rodney Harrison and Colin Sterling
Moving beyond reductive notions of identity, myths of authenticity, fetishized traditionalism, or the constructed opposition of tradition and modernity, The Arab City: Architectural and Representation critically engages contemporary architectural and urban production in the Middle East. Taking the "Arab City" and "Islamic Architecture" as sites of investigation rather than given categories, this book reframes the region's buildings, cities, and landscapes and broadens its architectural and urban canons. Arab cities are multifaceted places and sites of layered historical imaginaries; defined by regional and territorial economies, they bridge scales of production and political engagement. The ...