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The November/December 2022 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Samantha Mills, Vivian Shaw, Matthew Olivas, Nina Kiriki Hoffman, Iori Kusano, Anya Ow, and Emily Y. Teng. Reprint fiction by Catherynne M. Valente. Essays by Izzy Wasserstein, Jennifer Marie Brissett, Alex Jennings, and Karen Heuler, poetry by Eshqin Ahmad, Ewen Ma, May Chong, Taiwo Hassan, and Ai Jiang, interviews with Vivian Shaw and Iori Kusano by Caroline M. Yoachim, a cover by Maxine Vee, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Meg Elison. About Uncanny Magazine Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, & 2022 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Meg Elison, Chimedum Ohaegbu, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
Trans Identity as Embodied Afrofuturism / Amber Johnson -- "I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / Sammantha McCalla -- The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tomism and the Performance of Blackness / Jasmine Coles & Tawnya Pettiford-Wates.
The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history.
This volume provides an extensive overview of current research on the complex relationships between gender and communication. Featuring a broad variety of chapters written by leading and upcoming scholars, this edited collection uses diverse theoretical frameworks to provide insight into recent concerns regarding changing gender roles, representations, and resources in communication studies. Established research and new perspectives address vital themes in this comprehensive text, including the shifting politics of gender, ethical and technological trends in gendered media, and gender in daily life. Comprising 39 chapters by a team of international contributors, the Handbook is divided into ...
Now in its third edition, this text examines how African Americans personally and culturally define themselves and how that definition informs their communication habits, practices, and norms. This edition includes new chapters that highlight discussions of gender and sexuality, intersectional differences, contemporary social movements, and digital and mediated communication. The book is ideally suited for advanced students and scholars in intercultural communication, interpersonal communication, communication theory, African American/Black studies, gender studies, and family studies.
"...an unprecedentedly rich source of contemporary science fiction..."METROPOLARITY is a DIY sci-fi collective based, bred, and tested in the colliding future-present of Philadelphia. This Style of Attack Report contains select work from Metropolarity's four founding members, who contribute theory, practice, and experience of home grown speculative visioning for both historical documentation as well as personal and collective survival. The collection serves as a model and a record of how Black, brown, queer, low-resource, working, ill and in-recovery people can project themselves into the future, conjuring resources, technology, and magic that aid us in the present. Also this sci-fi is FIRE cuz the crew don't play.
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Half experimental catalogue and half living curriculum, Mirror/Echo/Tilt is one part of a four-year pedagogical project created by artists Melanie Crean, Shaun Leonardo, and Sable Elyse Smith. The publication documents the artists' examination of the language and gestures used to describe experiences of arrest and incarceration and looks to counter culturally embedded conceptions of criminality.
This book doesn't predict the future, guide humanity into a pre-determined, technological wonderland, it's no obelisk that 'they' get to touch, toy, play with and weaponize in the halcyon days of an encroaching new world order, no. Arkdust is a guide through the washed-out apocalypse already upon us. Keep this in your back pocket, tucked between calculus text books, hidden from your step-dad, and left to rot on a public transit seat.
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