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There's so much more to Ray's on-screen tough-guy image, and his path to the top has been anything but plain sailing. He was every inch the rebel in his youth and was even a London schoolboy boxing champion; but he always had an affinity for acting. Deciding to pursue his dream through drama school, he soon found himself an outsider and was expelled. But he managed to blag his way into an audition for what would prove to be his big break -- his cocky, aggressive boxer's gait making him perfect for the lead in Alan Clarke's Scum. Going on to both small -- and big-screen success, as well as in the theatre, Ray really cemented his place in the pantheon of British acting greats with his breathta...
Ray Winstone's amazing talent for bringing out the humanity buried inside his often brutal screen characters - violent offender in 'Scum', wife-beater in 'Nil by mouth', retired blagger in 'Sexy beast' - has made him one of the most charismatic actors of his generation. But how do these uncompromising and often haunting performances square with his off-duty reputation as the ultimate salt-of-the-earth diamond geezer? The answer lies in the East End of his youth: the home of gangsters, bank robbers, Bobby Moore, and family and friends who looked out for each other ...
Kathy Burke's first play is a gritty, darkly funny look at attitudes to homosexuality in the 1950s, a portrait of repressed sexuality and alcoholism - and an homage to the great masters of British theatre, Wilde, Coward, Pinter and Orton.
When John Major launched the UK’s National Lottery in 1994 he christened it “the people’s Lottery” and handed it to the mythical stewardship of the Everyman. But when the proceeds began to be distributed to worthy causes, including the British film industry, this populist rhetoric came under increasing strain. If Lottery funding is used to produce the type of British films which the public want to see, such as romantic comedies, then many question whether the market deserves such subsidy. Short films and low budget, experimental cinema – which often require state support – tend to go unwatched by large swathes of the Lottery ticket-buying public. This book explores the debates wh...
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
An invaluable compendium for anyone interested in cinema
Jump, Rocky, Jump tells the remarkable story of Britain's most famous stuntman, Rocky Taylor, who fell into stunt work and landed on his feet. Whether downstairs or up gantries, burning like stubble or as a stunt double for Hollywood royalty, Rocky Taylor has been falling ever since. But he hits the ground running every time, screen-punching famous faces and treating audiences worldwide to near-death experiences - only one of which, thanks to an infamous director, became all too horribly real. Now readers have a chance to jump with Rocky and keep up, if they can, with the motorbike skids and the martial arts, the car-rolls and the swashbuckling, past and present. Whether your interest is professional or light-hearted, Rocky Taylor's life in film, TV and charity work will inform and entertain you as only an insider's eye can: showing you how stunts should be done and what hits the fan when they aren't.
'Outstanding' is a riotous comedy. Take a failing school, a pig farm and an ice cream factory, add an inspection and a fly-on-the-wall documentary. The results are explosive! 'Outstanding' answers the big questions: - Why is a school inspector naked on a hotel corridor with only The Guardian to cover his embarrassment? - Why are two men chasing a pig in a giant vat of ice cream? - Why is a police officer fishing sticklebacks out of his helmet on a Sunday afternoon? - The inspectors and the TV crew couldn't possibly turn up on the same day, could they? ...and when the psychotic Eric Halftree is humiliated by shady local farmer Bernard Allsop, his thirst for revenge spirals towards an apocalyptic climax. Fans of Tom Sharpe and Sue Townsend will find much to love in 'Outstanding'. If you want a funny read, with unforgettable characters trapped in outrageous situations, this is the book for you!
This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.
Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of Shakespearean performance studies.