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The Ray Cummings MEGAPACK®: 25 Golden Age Science Fiction and Mystery Tales
To anyone interested in the roots of modern science fiction, the name of Ray Cummings should be well known. He wrote science fiction and fantasy before the name "science fiction" had been coined, publishing fantastic yarns in Argosy, Munsey's Magazine, and other mainstream pulp magazines. Of course, as soon as the science fiction pulps debuted, he moved to them, where his work received a hearty welcome from fans. Cummings publishing more than 750 novels and short stories over his long career, producing work in many genres, including the mystery field (see "Atom Boy" in this Megapack for one prime example). We are pleased to showcase 25 of his tales, ranging from science fiction to fantasy to...
A Companion to Crime Fiction
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
Arthur Conan Doyle’s Art of Fiction
This groundbreaking book rescues Arthur Conan Doyle from the sub-literary category of popular fiction and from the myth of Sherlock Holmes. Instead of following new historicists and postcolonialists and asking what Conan Doyle’s fiction reveals about its author and what it tells us about Victorian attitudes to crime, class, Empire and gender, this provocative and convincingly argued literary study shifts the critical emphasis to the neglected art of the novels, tales and stories. It demonstrates through close reading that they can be read the same way as canonical literary fiction. Unapologetically polemical and written in an accessible, jargon-free style, this book will stimulate debate and provoke counterarguments, but most importantly it will send readers, both within and outside the academy, back to the fiction with heightened understanding and renewed pleasure. At a time when evaluation has virtually disappeared from literary studies, this iconoclastic book returns it to the centre.
