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"In The Realms of Apollo, literary scholar Raymond A. Anselment examines how seventeenth-century English authors confronted the physical and psychological realities of death." "Focusing on the dangers of childbirth and the terrors of bubonic plague, venereal disease, and smallpox, the book reveals in the discourse of literary and medical texts the meanings of sickness and death in both the daily life and culture of seventeenth-century England. These perspectives show each realm anew as the domain of Apollo, the deity widely celebrated in myth as the god of poetry and the god of medicine. Authors of both formal elegies and simple broadsides saw themselves as healers who tried to find in language the solace physicians could not find in medicine. Within the context of the suffering so unmistakable in the medical treatises and in the personal diaries, memoirs, and letters, the poets' struggles illuminate a new cultural consciousness of sickness and death."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Originally published in 1873 by the Surtees Society, with less of the original text, under title: The autobiography of Mrs. Alice Thornton, of East Newton, Co. York.
How the philosophers and polemicists of eighteenth-century Britain used ridicule in the service of religious toleration, abolition, and political justice The relaxing of censorship in Britain at the turn of the eighteenth century led to an explosion of satires, caricatures, and comic hoaxes. This new vogue for ridicule unleashed moral panic and prompted warnings that it would corrupt public debate. But ridicule also had vocal defenders who saw it as a means to expose hypocrisy, unsettle the arrogant, and deflate the powerful. Uncivil Mirth examines how leading thinkers of the period searched for a humane form of ridicule, one that served the causes of religious toleration, the abolition of t...
Arguing for the importance of wit beyond its use as a literary device, the author outlines the process by which writers in Restoration and eighteenth-century England struggled to define an appropriate role for wit in the public sphere. He traces its unpredictable effects in works of philosophy, religious pamphlets, and legal writing.
This volume of essays on Thomas Browne aims to set the man and his works in new contexts. Drawing on new research into his reading, readers, biography, manuscripts, and politics, a new picture of Browne and his writing emerges, clarifying his relationship to seventeenth-century English and European culture.
The fifteen essays in this volume, written by friends, colleagues, and former students, attempt both to acknowledge and to honor Martin C. Battestin's many contributions to our understanding of the literature and art of the so-called Augustan period.
The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript and print publication together shaped the emerging institution of literature. Surveying a wide range of manuscript and print poetry of the period, Marotti outlines the different social and institutional contexts in which poems were collected and transm...
Railing, Reviling, and Invective in English Literary Culture, 1588-1617 is the first book to consider railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. Author Prendergast considers how these crisis-ridden texts on religious, gender, and aesthetic controversies were encouraged and supported by the emergence of the professional theater and print pamphlets. She argues that railing texts by Shakespeare, Nashe, Jonson, Jane Anger and others became sites for articulating anxious emotions-including fears about the stability of England after the death of Queen Elizabeth...
Offering a broad and eclectic approach to the experience and activities of early modern women, Challenging Orthodoxies presents new research from a group of leading voices in their respective fields. Each essay confronts some received wisdom, ’truth’ or orthodoxy in social and cultural, scientific and intellectual, and political and legal traditions, to demonstrate how women from a range of social classes could challenge the conventional thinking of their time as well as the ways in which they have been traditionally portrayed by scholars. Subjects include women's relationship to guns and gunpowder, the law and legal discourse, religion, public finances, and the new science in early modern Europe, as well as women and indentured servitude in the New World. A testament to the pioneering work of Hilda L. Smith, this collection makes a valuable contribution to scholarship in women’s studies, political science, history, religion and literature.
This is the first book-length study of the crucial relationship between sport and the political and imaginative literature of Renaissance England. In the sixteenth and seventeenth centuries, educators, medical practitioners, and military scientists were among the many contemporaries who praised sport as necessary and functional - physiologically beneficial to the individual practitioner, vital to the preparedness of the military, and necessary to the maintenance of traditional class hierarchy. Sport's significance in the period is perhaps best registered by its literal and metaphorical centrality in such popular works of literature as Shakespeare's histories, Walton's Compleat Angler, and Milton's Samson Agonistes, as well as its prominence in ecclesiastical and secular legislation and polemics. By reconstructing a cultural history of sport and investigating representations of it in contemporary prose, poetry, and drama, the book demonstrates sport's pivotal position in the interlocking spheres of Renaissance science, politics, and art. Gregory M. Colon Semenza is Assistant Professor of English at the University of Connecticut.