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When Conscience and Power Meet
Zeigler made a name for himself in South Carolina politics through his campaign for the U.S. Senate in 1972 against Strom Thurmond and a subsequent candidacy in the states 1974 Democratic gubernatorial primary. Unsuccessful in both, Zeigler nonetheless distinguished himself as a man of passionate convictions in the value of public service. His memoir recounts these and other defining moments from a life spent pursuing the public good, often against insurmountable opposition. A native of Florence, South Carolina, Zeigler represents a vanishing breed of public servantthe classically educated progressive rising from modest small-town roots and driven by a genuine sense of responsibility to better his community, state, and country. Throughout his career, Zeigler has faced the frustration of being on the verge of high office or important reform, yet ending up on the losing side or having played just a minor role in victory. Undaunted by these near misses, he takes satisfaction in the effort over the results.
The Films of John Cassavetes
Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator on the American experience.
Speaking the Language of Desire
Although Carl Dreyer is universally acknowledged to be one of the supreme masters of world cinema, it is one of the oddities of film history that beyond The Passion of Joan of Arc, his works have seldom had the general recognition that they undeniable deserve. This book is an attempt to bring his films to the awareness of contemporary filmgoers everywhere. The author argues that the key to an understanding of Dryers work is to be found in an appreciation of his distinctive style.
American Vision
Professor Carney analyses Frank Capra's life as well as the broad cultural context of his films.
Six Screenplays
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory...
Where Does it Happen?
“A good movie,” John Cassavetes has remarked, “will ask you questions you don’t already know the answers to.” And in his films, Cassavetes is as good as his word. Taking up the radical question that Cassavetes’s films consistently pose—specifically, where is the line between actor and character, fiction and reality, film and life?—George Kouvaros reveals the unique and illuminating position that Cassavetes’s work occupies at the intersection of filmmaking and film theory.Central to any understanding of Cassavetes’s achievement is the issue of performance. Looking at the work of Gena Rowlands, Ben Gazzara, and Cassavetes himself in films such as Faces, A Woman under the In...
The Shields Family
The Shields Family: Particularly The Oldest And Most Numerous Branch Of That Family In Our America; An Account Of The Ancestor And Descendents sic Of The Ten Brothers Of Sevier County, In Tennessee
Columbia Pictures
Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Colu...
Willa Cather and Aestheticism
In this collection of essays, contributors investigate the various connections between Willa Cather's fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches--derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion--this collection will increase our understanding of Cather's aesthetic and lead to a better comprehension of her work and her life.
Another Frank Capra
Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a 'proto-feminist' director whose feminism has been entirely neglected by previous critics.
