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Raymond Carver
A collection of Lawrence and Lee's major plays: Inherit the Wind, Auntie Mame, The Gang's All Here, Only in America, A Call on Kuprin, Diamond Orchid, The Night Thoreau Spent in Jail, and First Monday in October. Introductions to each play place them in their critical and historical contexts. Includes bandw photos, and a chronology. No index. Annotation copyright by Book News, Inc., Portland, OR
Conversations with Raymond Carver
The twenty-five interviews gathered here, several available in English for the first time, include craft interviews, biographical portraits, self-analyses, & wide-ranging reflections on the current literary scene.
What We Talk About When We Talk About Love
This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.
Beginners
This fascinating collection contains the original, unedited stories Raymond Carver wrote for what became - at the hands of his editor Gordon Lish - What We Talk About When We Talk About Love
Raymond Carver
The first biography of america’s best-known short story writer of the late twentieth century. The London Times called Raymond Carver "the American Chekhov." The beloved, mischievous, but more modest short-story writer and poet thought of himself as "a lucky man" whose renunciation of alcohol allowed him to live "ten years longer than I or anyone expected." In that last decade, Carver became the leading figure in a resurgence of the short story. Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his l...
Will You Please Be Quiet, Please?
With this, his first collection, Carver breathed new life into the short story. In the pared-down style that has since become his hallmark, Carver showed how humour and tragedy dwell in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.
Reading Raymond Carver
In this study of the late, lamented writer (d. 1988), Runyon reveals an ambitious metafiction beneath the terse style of Carver's works and places Carver squarely in the context of the minimalist debate. Foreword by Stephen Dobyns. Annotation copyrighted by Book News, Inc., Portland, OR
Short Cuts
While helicopters overhead spray against a Medfly infestation, a group of peoples' lives in Los Angeles intersect, some casually, some to more lasting effect. While they go out to concerts and jazz clubs and even have their pools cleaned, these same folks also lie, drink, and cheat. Death itself seems never to be far away. A look at human life and American culture with over 20 lives interweaving.
Raymond Carver
An acknowledged master of the short story, Raymond Carver (1938-88) excelled at portraying the hardscrabble existence of blue-collar workers frustrated and disillusioned by the false promises of the American dream. This terrain was well known to Carver, who long worked at blue-collar jobs to support his family and personally struggled with the transiency, alcoholism, economic privation, and despair he depicts so poignantly in his fiction. At the same time, he overcame these obstacles - aided by, among others, the writer John Gardner, the editor Gordon Lish, and the poet Tess Gallagher - to become a major figure in the resurgence of the short story and the revival of realistic writing. For co...
