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I'm Not Chinese
"The first thing you need to know is I'm not Chinese. My name is Raymond Wong and I stopped being Chinese at the age of five." Raymond Wong wants to forget his past: a charming, conniving, and controlling Chinese mother, a father who hasn't so much as written him a letter in 28 years, a stepfather who never sees him as a son, a childhood rife with ridicule and bullying from American kids, and the pain of being an outcast in his own family. Raymond goes back to Hong Kong with the mother he has always pushed away, a woman who represents everything he wants to disown. He meets a father he doesn't recognize and can't talk to because they speak different languages. He encounters a people and a country as foreign as the Cantonese he can no longer comprehend. I'm Not Chinese: The Journey from Resentment to Reverence is about a man who has spent his life running from his culture, his family, himself-and what happens when he is forced to stop running.
The Hong Kong Filmography, 1977-1997
Thanks to the successes of directors and actors like John Woo, Jackie Chan, and Chow Yun-Fat, the cinema of Hong Kong is wildly popular worldwide, and there is much more to this diverse film culture than most Western audiences realize. Beyond martial arts and comedy, Hong Kong films are a celebration of the grand diversity and pageantry of moviemaking--covering action, comedy, horror, eroticism, mythology, historical drama, modern romances, and experimental films. Information on 1,100 films produced in British Hong Kong from 1977 to 1997 is included here.
Black Belt
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
The Chinese Community of Stockton
Stockton, referred to as Sam Fow by its Chinese community, was the third largest metropolitan area leading to the goldfields of California at the turn of the 20th century. The Chinese immigrants came from Kwangtung, China, to find their fortune, and instead found a series of restrictive laws aimed at keeping them from participating in the development of the burgeoning frontier town. Their story is here, in over 200 vintage images of community life and resilience. Despite legislation such as the Foreign Miners' taxes and the California Alien Land Act, and most recently the construction of the Crosstown Freeway combined with the redevelopment project that disseminated the heart of Chinatown, the Chinese of this area were major contributors to California and Stockton's economy. They have maintained a balance between their heritage of familial and religious obligations and western education and activities. Included are photographs dating from the late 1920s of traditional Chinese associations and more recent community activities. These images showcase once thriving businesses, educational and religious efforts, and familial milestones.
The Little Red Dot
2005 was the 40th anniversary of Singapore's independence. This collection of essays by Singapore's past and present diplomats tells the remarkable story of how this small and vulnerable country has become a stable, prosperous and respected member of the international community. The essays include those from the late President Wee Kim Wee and President S R Nathan as well as seminal contributions from the four former Foreign Ministers -- Mr S Rajaratnam, Mr S Dhanabalan, Mr Wong Kan Seng and Professor S Jayakumar. The current Foreign Minister, Mr George Yeo, has written the foreword. The absorbing stories about people, places and international politics make this book a highly enjoyable read f...
Association Models
Offers readers invaluable guidance on handling cross-classified data Broadening the scope of association models beyond the typical sociological and psychological fields, author Raymond S. Wong shows readers how to analyze and comprehend any social science data presented in cross-classified formats. Through a careful exposition of various association models, the text examines the underlying structure of odds-ratios, offering a unified framework for students and researchers in the process. Rich illustrative examples (from data generated by the General Social Survey and other sources) demonstrate why and how association models are a better option than conventional log-linear models or non-parametric specifications. This resource is appropriate for graduate students and researchers across the social and behavioral sciences who need to chose and apply the appropriate statistical tools to decipher and interpret cross-classified data.
Black Belt
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
Black Belt
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
The Science, Impacts and Monitoring of Drought in Western Canada
Proceedings of the Prairie Drought Workshop held May 27-28, 2004.
Directory of World Cinema: China 2
Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. The 2012 acquisition of US theatre chain AMC and visual effects house Digital Domain by Chinese firms testifies to the global ambitions of China’s powerhouse film industry. Yet Chinese cinema has had few crossover hits in recent years to match the success of such earlier films as Crouching Tiger, Hidden Dragon; House of Flying Daggers and Kung Fu Hustle. Yet even overseas revenue for Chinese movies has dwindled, domestic market growth has surged year after year. Indeed, annual production output remains healthy, and the daily expansion of screens in second-or third-tier cities attracts audiences whose tastes favour domestic films over foreign imports.
