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Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image
In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.
Rebecca Norris Webb: Night Calls
Rebecca Norris Webb's meditation on fathers and daughters, one's first landscape, caretaking of the land and its inhabitants, and on history that divides us as much as heals us Rebecca Norris Webb (born 1956) first came across W. Eugene Smith's "Country Doctor," his famous Life magazine photo essay, while studying at the International Center of Photography in New York. She was immediately drawn to the subject of Smith's essay, Dr Ernest Ceriani, a Colorado country doctor who was just a few years older than her father. She wondered: How would a woman tell this story, especially if she happened to be the doctor's daughter? In light of this, for the past six years Norris Webb has retraced the route of her 99-year-old father's house calls through Rush County, Indiana, the rural county where they both were born. Following his work rhythms, she photographed often at night and in the early morning, when many people arrive into the world--her father delivered some one thousand babies--and when many people leave it. Accompanying the photographs, lyrical text pieces addressed to her father create a series of handwritten letters told at a slant.
My Dakota
In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people. South Dakota is a land of powwows and rodeos, corn palaces and buffalo roundups; a harsh and beautiful landscape dominated by space, silence, brutal wind and extreme weather. The next year, however, everything changed for Norris Webb, when her brother died unexpectedly of heart failure. "For months," she writes in the introduction to this volume, "one of the few things that eased my unsettled heart was the landscape of South Dakota. For each of us, does loss have its own geography?" My Dakota is a small intimate book about the west and its weathers, and an elegy for a lost brother.
Memory City
"Alex Webb and Rebecca Norris Webb take an elegiac look at Rochester, New York. For this project, Alex took images with his last rolls of Kodachrome, a formerly vibrant color film that can now only be processed as black-and-white. The resulting photos have a weathered quality akin to a fading memory. Alex also took to the streets of Rochester and shot in digital color--work that punctuates the black and white work with images from his signature style. Rebecca, who still uses film for all her work, responded to the medium's uncertain future by creating an elegiac refrain of color still lifes and portraits of Rochester women past and present. Woven into the book are quotes by many of the famous writers and thinkers who have been connected to Rochester, including women's rights activist Susan B. Anthony, abolitionist Frederick Douglass, and poets John Ashbery and Ilya Kaminsky. And the authors have also created a timeline on the cultural history of the city that traces the evolution of a once-vibrant and now complex city."--
The Suffering of Light
Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).
The Glass Between Us
"Seven years ago, Rebecca Norris Webb wandered into the Coney Island aquarium, and spotted a white beluga whale soaring high above the heads of visitors, who were reflected in the glass tank. Thus began her exploration of the complex and vulnerable relationship that exists between people and animals in cities. Since the, Webb has photographed in some 25 cities around the world, often viewing creatures through some sort of transparent barrier, such as the glass tanks in aquariums, the specimen cases in natural history museums, or the plexiglas walls of monkey houses. Webb expertly captures not only the animal in its urban habitat, but also the reflection of the onlookers as they try to get a ...
From the Sunshine State
Art Deco architecture. These vivid and compelling images question the nature of our assumptions about the world of Florida. Webb's Florida seems at once so familiar and yet so strange. His ironic, impressionistic record of the passage of life sweeps the state from Fort Pierce and Daytona Beach to Key Largo, Suwanee and Apalachicola to Disney World. Among the photographs that reveal the texture of life in this beachfront state are unique juxtapositions: a Key deer walking.
Amazon
Amazon: From the Floodplains to the Clouds is photographer Alex Webb's compelling documentation of a voyage through the worlds of those who live along this immense waterway. The photographs reproduce a trip from the enormous Amazon delta in Brazil through Colombia to the icy ponds and streams by the slopes of Mount Mismi in Peru - the source of the river. Indigenous traditions and European influences intermingle and thrive throughout these countries. The lowlands are a diverse region of backwater ports and river villages overgrown into ramshackle towns and cities, as well as places of fantastic festivals, highlighted by costumes and parades. The Peruvian highlands are a world of harsh rock, bleak and bitter weather, and ongoing political strife.
Hot Light/half-made Worlds
Gathers photographs taken in Haiti, Mexico, the Dominican Republic, Egypt, Barbados, India, Zaire, Ivory Coast, Uganda, and Trinidad
The Memory of Time
A rich and varied examination of contemporary photographs at the National Gallery of Art, as seen through the lens of time
