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Visions of Savage Paradise
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.
Dynastic Colonialism
Dynastic Colonialism analyses how women and men employed objects in particular places across the world during the early modern period in order to achieve the remarkable expansion of the House of Orange-Nassau. Susan Broomhall and Jacqueline Van Gent explore how the House emerged as a leading force during a period in which the Dutch accrued one of the greatest seaborne empires. Using the concept of dynastic colonialism, they explore strategic behaviours undertaken on behalf of the House of Orange-Nassau, through material culture in a variety of sites of interpretation from palaces and gardens to prints and teapots, in Europe and beyond. Using over 140 carefully selected images, the authors co...
Early Modern Zoology
In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts.
Early Modern Zoology: The Construction of Animals in Science, Literature and the Visual Arts (2 vols.)
The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, His...
Amsterdam's Atlantic
In 1624 the Dutch West India Company established the colony of Brazil. Only thirty years later, the Dutch Republic handed over the colony to Portugal, never to return to the South Atlantic. Because Dutch Brazil was the first sustained Protestant colony in Iberian America, the events there became major news in early modern Europe and shaped a lively print culture. In Amsterdam's Atlantic, historian Michiel van Groesen shows how the rise and tumultuous fall of Dutch Brazil marked the emergence of a "public Atlantic" centered around Holland's capital city. Amsterdam served as Europe's main hub for news from the Atlantic world, and breaking reports out of Brazil generated great excitement in the...
From San Juan to Paris and Back
Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Trevino: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley -- Oller and his work in the modern imagination.
Brothers in Arms, Partners in Trade
Recent studies on Dutch encounters with indigenous peoples in the Americas and West Africa have taken a narrow regional approach rather than a comparative Atlantic perspective. This book, based on Dutch archival records and primary and secondary sources in multiple languages, integrates indigenous peoples more fully in the Dutch Atlantic by examining the development of formal relations between the Dutch and non-Europeans in Brazil, the Gold Coast, West Central Africa, and New Netherland from the first Dutch overseas voyages in the 1590s until the dissolution of the West India Company in 1674. By taking an Atlantic perspective this study of Dutch-indigenous alliances shows that the support and cooperation of indigenous peoples was central to Dutch overseas expansion in the Atlantic.
The Legacy of Dutch Brazil
Argues that Dutch Brazil is integral to Atlantic history and made an impact well beyond the colonial and national narratives in the Netherlands and Brazil.
Art Museums and the Legacies of the Dutch Atlantic Slave Trade
Expanding on a major public program of April 2021, this volume presents wide-ranging perspectives on the legacies of the Dutch Atlantic slave trade within and beyond museum walls. Contributions by curators, academics, activists, artists, and poets consider this history as reflected in the arts of Europe, the Americas, Africa, and the Black diaspora more broadly, together illuminating how art museums may function as liberatory spaces working against systemic injustice.
Boundaries and Their Meanings in the History of the Netherlands
Traditionally, the term boundary applies to the demarcation between a physical place and another physical place, most commonly associated with lines on a map As the essays in this volume demonstrate, however, a boundary can also function in a more broadly conceptual manner. A boundary becomes not an imaginary line but a tool for thinking about how to separate any two elements, whether ideas, events, etc., into categories by which they become comprehensible and distinct. The scholar contributors seek not simply to discern the boundaries, but, and perhaps more importantly, to understand the process of delination, and its consequences. With its maverick history and grass-root political traditions, the Netherlands provides an auspicious setting to examine the historical function of boundaries both real and imagined.
