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An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that ...
This collection features former graduate students who speak frankly about the challenges and decisions they faced along the way to their doctorates. Peabody leaves no doubt that there are as many right ways to get through a PhD, and as many right career tracks on the other side, as there are students willing to forge their own paths.
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artistÕs book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of WalkerÕs production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers WalkerÕs sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and t...
"This volume evolved from "Zoom out: the making and the unmaking of the 'Orient' through photography," held at the Getty Research Institute, Los Angeles, May 6-7, 2010"--ECIP data view.
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Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
Dorchester annexed to Boston, Jan. 3, 1870; Roxbury annexed to Boston, Jan. 5, 1868.
Addressed to all readers of Our Nig, from professional scholars of African American writing through to a more general readership, this book explores both Our Nig’s key cultural contexts and its historical and literary significance as a narrative. Harriet E. Wilson’s Our Nig (1859) is a startling tale of the mistreatment of a young African American mulatto woman, Frado, living in New England at a time when slavery, though abolished in the North, still existed in the South. Frado, a Northern ‘free black’, yet treated as badly as many Southern slaves of the time, is unforgettably portrayed as experiencing and resisting vicious mistreatment. To achieve this disturbing portrait, Harriet W...
Whether designing complex video sculptures & installations, experimenting with electronic psychedelia, creating conceptual & performance art, or producing vanguard works that promote social issues, artists from all over California have utilized video technology to express revolutionary ideas.