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How can contemporary art reimagine the body of the mother in relation to a feminist Christian conception of the divine? And, at the level of culture, what might be the implications of the maternal body imaged as ordinary, multiple, generative and divine? Following movements in her own visual art practice, and traversing the discourses of feminist theory, contemporary art and philosophy of religion, artist and scholar Rebekah Pryor considers philosopher Luce Irigaray’s key notions of sexuate difference, the sensible transcendental and “love at work in thinking” on the way to proposing alternate artistic and theological motifs of the maternal body and the divine for our time. Five new motifs emerge, challenging iconographic conventions and proposing an expanded vision of the mother and the divine in feminist theology and contemporary art.
This provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
This book takes the groundbreaking work of Lee Edelman in queer theory and, for the first time demonstrates its importance and relevance to contemporary theology, biblical studies, and religious studies. It argues that despite extensive interest in Edelman’s work, we have barely begun to understand the significance of Edelman’s ideas both in their own right and with respect to the study of religion. Therefore, it offers fresh approaches to Edelman’s work that necessarily complicate the established interpretations of his thinking. With essays by rising and established scholars, as well as a response by Edelman himself, it contends that by fully engaging Edelman, scholars of religion will have to confront negativity and its consequences in ways that will contribute to reshaping the terrain of scholarship on religion, race, sexuality, and social change. The insights provided in this book are new territory for much of the study of religion. As such, it will be of keen interest to scholars of religious studies, theology and Biblical studies as well as gender studies and queer, feminist, and critical race theory.
The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in rela...
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its cha...
Feminist Theologies: A Companion explores the contemporary contours of the field. With contributors from a diverse range of settings the volume captures the current diversity and richness of feminist theologies both in and beyond the academy. Focusing both on theory and praxis, chapters move from considering the outlines of the feminist agenda, to exploring the relationship between academic feminist theology and ecclesial or personal spiritual, and finally articulating how feminist theological outlooks manifest themselves in a variety of settings. With contributions from Gina Zurlo, Nancy Bedford, Agnes Brazil, Cathryn McKinney, Rebekah Pryor, Gale Yee, Heather Eaton, Al Barrett, Simon Sutcliffe, Hannah Bacon, Lisa Isherwood, Karen O’Donnell, Jane Chevous, Alana Harris, Antonia Sobocki, Tina Beattie, Janice McRandal, Stephen Burns, Cristina Lledo Gomez, Michael W. Brierley, Claire Renkin, HyeRan Kim-Cragg, Kerrie Handasyde, Gail Ramshaw and Anne Elvey
A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.
Feminist practical theology has emerged in the gap between wider feminist and wider practical theology. It celebrates distinctive concerns, arguments, emphases, and questions – unafraid to re-form practical theology in shape and substance, and to guide feminist theology towards the silences and stories of human lives that some professional theologies (including those shaped by feminist commitments) sometimes overlooks. Feminist practical theology is bold in exploration of doctrinal themes in poetic and prayerful modes, characteristically collaborative and in search of alliances with other advocacy perspectives. In the UK, such commitments have been exemplified by Nicola Slee, whom this vol...
It is now widely acknowledged that Anglicanism, far from being centred on western contexts is a worldwide phenomenon, with some of its liveliest corners located in the global south. Yet the Anglican theology which is taught in institutions is still focused overwhelmingly on a handful of British and North American voices. By exploring the work of eighteen tricontinential and marginalized Anglican theologians, this book begins to correct widespread bias in Anglican theology towards Britain and North Atlantic contexts. The chapters it gathers consider the methods, concerns and contributions to Anglican thinkers from Africa, Asia, Pasifika, South America and eastern European settings, amongst minoritized migrants to North Atlantic countries. Chapters include Esther Mombo on Jenny Te Paa-Daniel, Michael Jagessar on Mukti Barton, and Keun-Joo Christine Pae on Kwok Pui-lan.
This book brings together the narratives of diverse ministers from the Global South in order to show that queer theologies are impacting many parts of the world and queer lives are molding and enriching Christian ministry. Across Asia, Africa, and Latin America, we are witnessing the emergence of queer faith-based communities in very different contexts and with very different histories. The perspectives included in the book form a tapestry that honors diversity among the Global South’s queer communities and ministries. They demonstrate the various ways in which queer ministry challenges and changes theological understanding as well as religious practice. Each chapter highlights issues pert...