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Reed Crandall: Illustrator of the Comics
From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach to everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and science fiction for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the T.H.U.N.D.E.R. Agents and Edgar Rice Burroughs' adventure characters; and even Flash Gordon for King Features. Nothing was too complicated for Crandall, who rendered beautiful pen and brush lines and tones throughout his career. Comic art historian Roger Hill has compiled a complete and extensive history of the artist's life and career, from his early years and major successes, through his tragic decline and passing in 1982.
Reed Crandall: Illustrator of the Comics (Softcover Edition)
NEW SOFTCOVER EDITION! From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics.
Buccaneers
Experience action and high adventure with Buccaneers, a popular comic of the Pirate genre and published by a lesser known company Quality Publications. Quality Comics was an American comic book publishing company that operated from 1937 to 1956 and was an influential creative force in what historians and fans call the Golden Age of comic books. Notable, long-running titles published by Quality include Blackhawk, Feature Comics, G.I. Combat, Heart Throbs, Military Comics, Modern Comics, Plastic Man, Police Comics, Smash Comics, and The Spirit. While most of their titles were published by a company named Comic Magazines, from 1940 onwards all publications bore a logo that included the word "Quality." Notable creators associated with the company included Jack Cole, Reed Crandall, Will Eisner, Lou Fine, Gill Fox, Paul Gustavson, Bob Powell, and Wally Wood. The Imagery i this book has been enhanced and contains stories from two complete issues.
Jungle Comics #100
JUNGLE COMICS #100The main character associated with the title is Kaanga. He appeared in every issue of Jungle Comics. When Kaanga was a child his parents died in the jungle and he was raised by apes. The reader never gets to know his real name or his ancestry, but the jungle is where Kaanga feels most at home. In the first issue Kaanga meets his mate Ann, who is a Jane clone, after he rescues her from a white slave trader named Bill Blackton. Ann then joins Kaanga in his jungle existence. After nearly ten years Kaanga was given his own title in Spring, 1949. This ran for 20 issues until the Summer of 1954. One of the reasons for the series demise was the formation of The Comics Code Authori...
Best of witzend
Cartoonist Wallace Wood created and published his own magazine ― witzend. Witzend immediately became a venue for personal work, without regard to commercial constraints and with contributors like Frank Frazetta, Al Williamson, Gray Morrow, and Reed Crandall. (And that was just the first issue!) In later issues, Steve Ditko, Art Spiegelman, Vaughn Bodé, Jim Steranko, Jeffrey Catherine Jones, Howard Chaykin, Bernie Wrightson ― and dozens more ― joined in.
Pirates
Yoe-Ho-Ho! The same scurvy dogs who brought you Haunted Horror now share this booty: "Pirates"! Swashbuckling artists the likes of Frank Frazetta, Reed Crandall, Graham Ingels, Dick Briefer, etc. give ya complete comics stories to plunder, arrr! Plus feast on art by bilge rats Wally Wood, Bernard Krigstein, Carl Burgos, Howard Pyle, and, yarrr, more! Avast ye, prepare to take you a prize--savvy, matey?
The EC Archives: MD
"This volume collects MD #1-#5, originally published between April 1955 and January 1956 by Fables Publishing Co., Inc., and Gaines Publications, Inc."--Copyright page.
Tops
From their inception in 1935, comic books -starring Superman, Batman,Captain Marvel- had been primarily written for and aimed at adolescents. Therewere always the occasional outlier artists who pushed back against thecommercial constraints of comic books and envisioned the next evolutionaryartistic leap in the artform, and Charles Biro was one of those artists. In1949, the ambitious Biro -who had previously co-created the realistically brutalcomic Crime Does Not pay- editedand wrote an over-sized comic aimed at adultscalled Tops. Like several other radical adult comics projects that would follow,it proved to be a commercial failure, and lasted only two Life magazine-sizedissues. The original...
The Lost Art of Ray Willner
Collected for the First Time All 14 Beautifully Restored Stories in an oversized format Ray Willner was a casualty of the culture wars. With a comics career dating to 1939, Willner produced impressive work for publishers small and large throughout the 1940s. By 1949 he landed one of the only steady gigs in his career for an unusual publisher: The Brown Shoe Company. While working initially on their Buster Brown Comic Book a giveaway created to drum up business in stores selling Brown s footwear for kids Willner found a simpatico spirit in fellow artist Reed Crandall. Although their collaboration on the Brown Shoe Co. series The Adventures of Robin Hood lasted less than a year cancelled in the wake of the scaremongering backlash against comics in the 1950s the seven issues produced by Willner with Crandall represent a seldom seen high-water mark in comics art. They were the last comics Willner would ever draw. The Lost Art of Ray Willner collects all of those Robin Hood stories for the first time since their original publication in 1956 and includes an introductory essay on Willner s life and career."
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
