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The Day I Sat On the Sun Deck is a funny, philosophical, sexy, sad and searching story that explores faith, the nature of belief, with the lightness of a meringue.
An intimate, powerfully written, collection of stories featuring characters who seldom find themselves present in Canadian fiction - ordinary middle class people. A Feast of Longing presents a fourteen-course banquet of characters whose common thread is their own longing D for significance, for meaning in their lives, for their troubles to pass, for guilt to let them go. Inspired by a charismatic speaker to side with the poor, a woman volunteers at a charity soup kitchen and is intimidated by one of the patrons she tries to befriend. A man whose son has been arrested for several crimes tries to find some peace in regular visits to a church. A first year university student reluctantly befriends her aunt's neighbour, a mentally challenged woman. With a poet's eye, ear and heart, sharpened over the creation of five collections of verse, Sarah Klassen brings an insight into characters and a depth to her stories that is not often found in short fiction. In every story optimism is present, but is tempered by the presence, or at least the awareness, of life's cruel underside, adding an extra power to the work."
Andrea Talbot travels back in time and finds herself up in a dangerous underground adventure in the infamous tunnels under Moose Jaw.
A debut short story collection from one of Canada's most exciting new Aboriginal voices. "In our family, it was Trish who was Going To Be Trouble; I was Such a Good Girl." At times haunting, at times hilarious, Just Pretending explores the moments in life that send us down pathways predetermined and not-yet-forged. These are the liminal, defining moments that mark irreversible transitions n girl to mother, confinement to freedom, wife to murderer. They are the melodramatic car-crash moments n the outcomes both horrific and too fascinating to tear our eyes from. And they are the unnoticed, infinitely tiny moments, seemingly insignificant (even ridiculous) yet holding the power to alter, to transform, to make strange. What links these stories is a sense of characters working n both with success and without, through action or reaction n to separate reality from perception and to make these moments into their lives' new truths.
This is the first book monograph devoted to Anglophone Ukrainian Canadian children’s historical fiction published between 1991 and 2021. It consists of five chapters offering cross-sectional and interdisciplinary readings of 41 books – novels, novellas, picturebooks, short stories, and a graphic novel. The first three chapters focus on texts about the complex process of becoming Ukrainian Canadian, showcasing the experiences of the first two waves of Ukrainian immigration to Canada, including encounters with Indigenous Peoples and the First World War Internment. The last two chapters are devoted to the significance of the cultural memory of the Holodomor, the Great Famine of 1932-1933, a...
Wide Open begins with the start of a promising relationship. As D. M. Ditson falls in love, she is forced to confront her past: a fundamentalist Christian upbringing, family secrets, and a series of men who sexually assaulted her when she was between the ages of eighteen and twenty five. One of the assaults was so devastating that it left her showering in her sleep, trying in vain to wash the darkness away. D. M. Ditson’s story is a raw and emotional account of how she became so vulnerable to assault, of the depths to which she fell, and of her excruciating recovery from post-traumatic stress disorder.
The lives of two children are twisted together as a cyclone approaches: one, a well-to-do young lady, and the other a penniless runaway trying to keep his past a secret.
It’s Halloween, and Josh and Maddy are all ready to go out trick-or-treating. But the arrival of their otter-people friends with an urgent message from Keeper the Giant changes everything.
Windows and Words is a collection of seventeen essays that confirms and celebrates the artistry of Canadian Children's Literature. There are essays that survey a wealth of English language fiction, from the internationally acclaimed work of Lucy Maud Montgomery, the aboriginal adolescent novel, to the increasingly multi-cultural character of children's books. Others examine book illustration, visual literacy, and the creative partnership seen in the picture book and its art design. With contributions by two Governor General's Award winning authors, Janet Lunn and Tim Wynne-Jones, and a final commentary by Elizabeth Waterson, the heart of this collection offers a unique perspective on the artistry of writing for children and claims a rightful place for Canadian children's literature as literature.
Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.