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Power and Violence in Medieval and Early Modern Theater
Gewaltdarstellungen im mittelalterlichen Spiel waren schon lange vor dem 'Cultural Turn' ein häufig diskutierter Gegenstand der Theatergeschichte; jetzt werden sie neu bewertet. Auf der Grundlage aktueller sozialgeschichtlicher Untersuchungen werden die Parameter der Theatergeschichte im Zeitraum von 1470–1570 hinterfragt. Als ein wichtiger Schlüssel zum Verständnis der Gewalt im älteren Drama wird das Verhältnis zwischen violentia, vis und potestas, den drei Facetten des Begriffs 'Gewalt', konstatiert. Gewalt tritt hier nicht als isoliertes Phänomen auf, sondern eher als ein (Ausdrucks-)Mittel der Macht. So diskutieren Dramentext und Aufführung die Legitimität von Herrschaftsgewalt.
Infertility in Medieval and Early Modern Europe
This book examines discourses around infertility and views of childlessness in medieval and early modern Europe. Whereas in our own time reproductive behaviour is regulated by demographic policy in the interest of upholding the intergenerational contract, premodern rulers strove to secure the succession to their thrones and preserve family heritage. Regardless of status, infertility could have drastic consequences, above all for women, and lead to social discrimination, expulsion, and divorce. Rather than outlining a history of discrimination against or the suffering of infertile couples, this book explores the mechanisms used to justify the unequal treatment of persons without children. Exploring views on childlessness across theology, medicine, law, demonology, and ethics, it undertakes a comprehensive examination of ‘fertility’ as an identity category from the perspective of new approaches in gender and intersectionality research. Shedding light on how premodern views have shaped understandings our own time, this book is highly relevant interest to students and scholars interested in discourses around infertility across history.
Controversial Poetry 1400–1625
Controversial poetry played a crucial role in dealing with religious, political, and scholarly conflicts from 1400 until 1625. This volume analyses roles and functions of Latin, Italian, Dutch, German, Scots, and Hungarian poetry in specific historical controversies. A media theory of poetical impact is proposed by Franz-Josef Holznagel and Dieuwke van der Poel. Levente Seláf, Philipp Steinkamp, and Guillaume van Gemert examine the genres sung in wars, and in rulers’ controversies. Judith Keßler, Dirk Coigneau, Juliette Groenland, and Regina Toepfer analyse how female and male rhetoricians and humanists use verse in religious, municipal, and educational conflicts. Signe Rotter-Broman, Sa...
The Knight without Boundaries: Yiddish and German Arthurian Wigalois Adaptations
This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight without Boundaries examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background.
Handbook of Medieval Studies
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Loneliness in World History
This book takes a thematic approach to questions of how to define emotion and loneliness, breaking down loneliness into a range of different dimensions – estrangement, longing, homesickness, isolation – and considers how these phenomena appear across a range of global contexts. Loneliness is a topic of current concern, a downside of the anomie of the modern condition. Yet, emotions and experiences that share some of the features of loneliness can be found in cultures from the ancient world onwards. The book engages with discussions about what loneliness might encompass and how different societies and people have experienced it, raising key questions including where we place the boundaries of emotion, what makes particular emotions distinctive and cultural (or conversely universal), and how we might engage in comparative work across languages and cultures. Loneliness in World History provides an introduction to an important contemporary emotion across cultures and time, and it is particularly suited for undergraduate students and those new to the field of the history of emotions.
Britain and the Continent 1660‒1727
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.
In Search of the Culprit
Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.
The End-times in Medieval German Literature
Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.
Der Niederrheinische Orientbericht, C.1350
First English translation and detailed commentary of a fourteenth-century Low-German work about the Near and Middle East. That extensive travel took place during the Middle Ages has long been established, via such accounts as, for example, Marco Polo's Devisement du Monde; but there remains a relative paucity of documents or narratives confirming and dealing with this phenomenon. Der Niederrheinische Orientbericht ("An Account of the Middle East"), composed around 1350/55 by an anonymous author in Low German, is powerful evidence of international relations between east and west during this period; it provides extensive information, dealing with such matters as the local culture, fauna and fl...
