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In a distinguished English translation, the bestselling French book now considered the standard biography of Joan published just in time for the upcoming film by Luc Besson.
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An historical biography of fifteenth-century saint and national heroine of France, Joan of Arc, that relies on the letters and testimony given at her trial.
Regine Pernoud, the highly acclaimed French medieval historian, and author of best-selling titles on Joan of Arc and Hildegard of Bingen, as well as the book Those Terrible Middle Ages, presents an enlighteneing biography of one of France's most revered saints, and man whose impact on France, and Europe, continues to this days. Martin of Tours lived in the 4th century, at that great turning point in history when the Roman Empire fell and the Church took charge in the West. He left a successful career in the military life to become a monk, and later a Bishop who traveled extensively, evangelizing the countryside and creatiung that particular sort of community life in a village that is now cal...
As she examines the many misconceptions about the "Middle Ages", the renown French historian, Regine Pernoud, gives the reader a refreshingly original perspective on many subjects, both historical (from the Inquisition and witchcraft trials to a comparison of Gothic and Renaissance creative inspiration) as well as eminently modern (from law and the place of women in society to the importance of history and tradition). Here are fascinating insights, based on Pernoud's sound knowledge and extensive experience as an archivist at the French National Archives. The book will be provocative for the general readers as well as a helpful resource for teachers. Scorned for centuries, although lauded by the Romantics, these thousand years of history have most often been concealed behind the dark clouds of ignorance: Why, didn't godiche (clumsy, oafish) come from gothique (Gothic)? Doesn't "fuedal" refer to the most hopeless obscurantism? Isn't "Medieval" applied to dust-covered, outmoded things? Here the old varnish is stripped away and a thousand years of history finally emerge -- the "Middle Ages" are dead, long live the Middle Ages!
As she examines the many misconceptions about the Middle Ages, the renown French historian, RTgine Pernoud, gives the reader a refreshingly original perspective on many subjects, both historical (from the Inquisition and witchcraft trials to a comparison of Gothic and Renaissance creative inspiration) as well as eminently modern (from law and the place of women in society to the importance of history and tradition). Here are fascinating insights, based on Pernoud's sound knowledge and extensive experience as an archivist at the French National Archives. The book will be provocative for the general readers as well as a helpful resource for teachers. Scorned for centuries, although lauded by the Romantics, these thousand years of history have most often been concealed behind the dark clouds of ignorance: Why, didn't godiche (clumsy, oafish) come from gothique (Gothic)? Doesn't fuedal refer to the most hopeless obscurantism? Isn't Medieval applied to dust-covered, outmoded things? Here the old varnish is stripped away and a thousand years of history finally emerge--the Middle Ages are dead, long live the Middle Ages!
Celebrating her centennial, an unprecedented graphic study was presented in Canada. In preparation is a graphic opus with one quote in all twenty-four official languages of the European Union. Z.W. Wolkowski Sorbonne Universites UPMC
Reconstructs the course of their relationship from the correspondence that passed between them.
This acclaimed work on the life and mysticism of Joan of Arc is considered by historians as one of the most convincing, well researched and best written accounts of the Maid of Orleans. Stolpe vividly creates the contemporary situation in France during Joan's time, evaluates the latest research on her life, and arrives at an original and authentic portrait - one that is also a work of literature. Stolpe sees Joan of Arc as primarily a mystic, and her supreme achievement and lasting significance not so much in a mission to deliver France - though important - but in her sharing in the Passion of Christ. By shifting the emphasis from the national to the universal, Stolpe brings the saint closer to the modern reader. His scholarship is informed by a profound understanding and sympathy for the Maid, giving his essentially sober work the absorbing interest of a novel. As one critic stated, "Stolpe succeeds in producing a very tense interest, so that it is impossible to lay it aside until the last word is reached." This work should do much to present a new evaluation and appreciation of the life and mysticism of St. Joan of Arc, the Maid of Orleans.