Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Making Nature Social
As the global climate crisis and biodiversity loss deepen their impact and gain pace, Making Nature Social: Towards a Relationship with Nature provides core insights into what it means to understand our relationship to nature. This relationship is illustrated through interviews with people working in different nature practices, including engaging with nature, non-human animals, place, advocacy, and with work organization values. Rembrandt Zegers argues that since non-humans do not use human language, meaning is conducted through the senses, giving rise to a knowing that manifests itself through the body first before finding its way socially in human language. Through these senses the relation to non-human others and nature can become a conversation; in other words, a relationship built on reciprocity. The book illustrates how these meanings occur and how these conversations happen, how crucial they are, and how they are connected. It dives deep into the essence of the lived experience of our relationship to nature and in doing so acknowledges how important the lived experience is for the purpose of a relationship with nature.
Climate Psychology
This book investigates the psycho-social phenomenon which is society’s failure to respond to climate change. It analyses the non-rational dimensions of our collective paralysis in the face of worsening climate change and environmental destruction, exploring the emotional, ethical, social, organizational and cultural dynamics to blame for this global lack of action. The book features eleven research projects from four different countries and is divided in two parts, the first highlighting novel methodologies, the second presenting new findings. Contributors to the first part show how a ‘deep listening’ approach to research can reveal the anxieties, tensions, contradictions, frames and narratives that contribute to people’s experiences, and the many ways climate change and other environmental risks are imagined through metaphor, imagery and dreams. Using detailed interview extracts drawn from politicians, scientists and activists as well as ordinary people, the second part of the book examines the many different ways in which we both avoid and square up to this gathering disaster, and the many faces of alarm, outrage, denial and indifference this involves.
A Corpus of Rembrandt Paintings VI
A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’...
A Corpus of Rembrandt Paintings
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community ...
A Corpus of Rembrandt Paintings V
This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of diff...
Rembrandt
"Ernst van de Wetering's wonderful book has taken us further than almost any study over the past twenty years, towards an understanding of the machinery of Rembrandt's genius. No one attempting to write about Rembrandt in the future will be able to do so without taking this fine work into account." --Simon Schama "Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Wetering comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter." --Ernst Gombrich
Harmensz van Rijn Rembrandt
A painting by Rembrandt is a living entity that exists according to its own laws, which reflects the multiplicity of the thoughts and emotions in the painter’s mind. Men and their mental condition: that is the fundamental issue the artist tries to solve throughout his life. Tormented by family problems, he took shelter in painting, which became even better as things got worse, as if depicted by a visionary. Hiding his anxiety in the optimism of his themes and in the strength of dark colours, he was ultimately victorious.
Rembrandt
Reproduction of the original: Rembrandt by Josef Israels
Drawings by Rembrandt and His Pupils
This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils.
