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Despite the enormous work on diasporas relating to Africa, the majority of this work focuses on trade diasporas located in West African groups, only mentioning the pre-colonial period in passing. Therefore, there is a need to redirect research on diasporas from within Africa to include non-economic diasporas during this time period. Diasporas and Ethnic Identity in Africa: The Edo ne Ekue among the Northeast Yoruba, 1485–1995 fills a gap by discussing the existence of diasporas in pre-colonial Africa that have been neglected by African scholars. Using the Edo ne Ekue as a case study, Uyilawa Usuanlele examines Edo people by shedding light on their political institutions, trading networks, ...
Feminist cultural historian Lucia Chiavola Birnbaum caps her previous work with The Future has an Ancient Heart, a scholarly study of the transformative legacy of African origins and values of caring, sharing, healing, and vision carried by African migrants throughout the world. Birnbaum focuses on the long endurance of these values from the first human communities in south and central Africa, ones that Africans manifested in the region of the African mediterranean landmass that later separated Africa from Europe and Asia when the ice melted and waters rose. These migrants reached every continent and later became spiritual as well as geograpical migrations back to Africa, from ancient times ...
Bringing a feminist perspective to contemporary findings of geneticists and archeologists, Lucia Chiavola Birnbaum, cultural historian, points out that the oldest veneration we know is of a dark mother of central and south Africa, whose signs-ochre red and the pubic V-were taken by african migrants after 50,000 BCE to caves and cliffs of all continents. The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam.Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinit...
The National Association for the Advancement of Colored People (NAACP) is the nation's oldest civil rights organization, having dedicated itself to the fight for racial equality since 1909. While the group helped achieve substantial victories in the courtroom, the struggle for civil rights extended beyond gaining political support. It also required changing social attitudes. The NAACP thus worked to alter existing prejudices through the production of art that countered racist depictions of African Americans, focusing its efforts not only on changing the attitudes of the white middle class but also on encouraging racial pride and a sense of identity in the black community. Art for Equality ex...
Reconstructs the life of Emma Goldman through significant texts and documents.
A unique history of one of American radicalism's most fiercely outspoken figures
Nigerian playwright DIPO KALEJAIYE relates an educator and writer’s experience of living in Nigeria and the United States in his latest memoir, Some Memories of California. The book charts the author’s formative years as a lecturer in Nigeria and leaves readers with no doubt as to how the geographical, spiritual, political, and cultural aspects of his West African homeland prepared him for the amazing sojourn he undertakes upon his arrival in California, USA. Suffused with humor and grit, this is a purely personal tale that pushes to the forefront the African immigrant’s experience in the United States. Kalejaiye’s African background as a young lecturer, artist and family man is cleverly pitted against the American experience that seems to challenge and define his role as a fledgling but ambitious playwright who overcomes the odds to triumph in the end. Without equivocation, this book should serve as an informative read for lovers of memoirs exploring wit and adroitness to make peculiar humane concerns accessible to readers.
The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.