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Pitch Dark
A strange, thrilling novel about desperate love, paranoia, and heartbreak by one of America's most singular writers. “What’s new. What else. What next. What’s happened here.” Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.
Speedboat
Jen Fain is a journalist negotiating the fraught landscape of 1970s New York. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as she finds it. Simultaneously novel, memoir, commonplace book, confession, and critique - Speedboat is funny, disturbing, cutting, brilliant unlike anything that had come before. Since it burst onto the scene in the 1970s, it has enthralled generations of readers and been a touchstone for writers including David Foster Wallace, Claudia Rankine and Jenny Offill. With an introduction by Hilton Als
After the Tall Timber
What is really going on here? For decades Renata Adler has been asking and answering this question with unmatched urgency. In her essays and long-form journalism, she has captured the cultural zeitgeist, distrusted the accepted wisdom, and written stories that would otherwise go untold. As a staff writer at The New Yorker from 1963 to 2001, Adler reported on civil rights from Selma, Alabama; on the war in Biafra, the Six-Day War, and the Vietnam War; on the Nixon impeachment inquiry and Congress; on cultural life in Cuba. She has also written about cultural matters in the United States, films (as chief film critic for The New York Times), books, politics, television, and pop music. Like many...
Gone
From a legendary journalist and star writer at The New Yorker -- one of the most revered institutions in publishing -- an insider's look at the magazine's tumultuous yet glorious years under the direction of the enigmatic William Shawn. Renata Adler went to work at The New Yorker in 1963 and immediately became part of the circle close to editor William Shawn, a man so mysterious that no two biographies of him seem to be about the same person. Now Adler, herself an unrivaled literary force, offers her brilliant take on the man -- and the myth that is The New Yorker -- disputing recent memoirs by Lillian Ross and Ved Mehta along the way. With her lucid prose, meticulous eye for detail, and gen...
Speedboat
A series of vignettes which follow the life and travels of Jen Fain, a beautiful and intelligent journalist.
When the Lights Go Down
A number of the movies she reviews have gay characters, and quite a number of the actors (Rock Hudson, Sir John Gielgud) are gay.--P. Thorslev.
Canaries in the Mineshaft
Renata Adler is one of the most original, incisive and witty writers active in American letters today. Whether it be fiction, reportage or essay, her work is marked by a truly extraordinary intellect and a luminous prose that is penetrating, precise, deft and, often, very funny. In this new collection-which includes the early and definitive profile of the National Guard; the widely discussed and still controversial review of Pauline Kael; and the first major piece about foreign contributions to American political campaigns-Adler's wide-ranging reflections become focused on two increasingly fused interests: the politics which govern our public world and the media, which now actively distort and misrepresent information about that world. For anyone seriously interested in politics and the media Canaries in the Mineshaft is yet another proof that Renata Adler is one of the most delightful and brilliant writers of our day.
Irreparable Harm
What really happened in the 2000 presidential election - and can it happen again? It was the most tumultuous and uncertain transition of power in the history of the United States, and yet, to most Americans, what really happened in the 2000 presidential election remains unclear something went wrong in Florida, but the Supreme Court cleared it up and then, er, everyone was happy . . . right? But who actually won the Florida vote recount? What, exactly, did the Supreme Court decide? Was there truly no dissent? What role did the mass media play? In Irreparable Harm, Renata Adler, the long-time star of The New Yorker magazine who is also an attorney and a life-long Republican, takes a blistering...
A Year in the Dark
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Pitch Dark
A strange, thrilling novel about desperate love, paranoia, and heartbreak by one of America's most singular writers. “What’s new. What else. What next. What’s happened here.” Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.
