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Between 1940 and 1945, 110,000 of the 140,000 Dutch Jews were deported to the death camps in Eastern Europe. 80% never returned. In Anne Frank and After the authors focus on two main questions: how exactly did this happen, and how has Dutch literature come to terms with this appalling event? In the book's final chapter they analyze the relationship between history and the literature of the Holocaust. Does literature add to what we know or does it actually distort historical evidence? Based on the work of leading historians of the period, the book examines literary works from Gerard Durlacher, Anne Frank, W.F. Hermans, Harry Mulisch, Gerard Reve and many others. "With its well-chosen quotations (many appearing for the first time in print), presented in a clear and illuminating historical setting, Anne Frank and After is must reading for all who want to go beyond Anne Frank for a more rounded picture of wartime Holland and its Jews." (Holocaust and Genocide Studies—January 1998)
"Based on more than fifty diaries of Jewish Holocaust victims of all ages, written while the events described were actually taking place". -- Jacket.
(Re)Writing War in Contemporary Literature and Culture: Beyond Post-Memory is an exploration of war narratives through the lens of postmemory, offering a critical re-evaluation of how contemporary literature and cultural products reshape our understanding of past conflicts. This volume presents a rich tapestry of perspectives, drawing from an array of conflicts and incorporating insights from international experts across various disciplines, including contemporary literature, film studies, visual arts, and cultural studies. It critically builds upon and extends Marianne Hirsch's concept of postmemory, engaging with complex themes like the ethical dimensions of war writing, the authenticity of representations, and the creative power of art in reimagining traumatic events. This study not only challenges traditional boundaries in war literature and memory studies but also resonates with contemporary concerns about societal engagement with violent pasts, making it a significant addition to scholarly discourse and essential reading for those interested in the intersection of history, memory, and literature.
Arguing against the prevailing view that Holocaust survivors (encouraged by a new and flourishing culture of 'witnessing') have come forward only recently to tell their stories,Writing the Holocaust examines the full history of Holocaust testimony, from the first chroniclers confined to Nazi-enforced ghettos to today's survivors writing as part of collective memory. Zoë Waxman shows how the conditions and motivations for bearing witness changed immeasurably. She reveals the multiplicity of Holocaust experiences, the historically contingent nature of victims' responses, and the extent to which their identities - secular or religious, male or female, East or West European - affected not only what they observed but also how they have written about their experiences. In particular, she demonstrates that what survivors remember is substantially determined by the context in which they are remembering.
In this literary study of memoirs describing at first hand the horrors of German concentration camps, the principal question asked is: How did the survivors find the words to talk about experiences hitherto unknown, even unimaginable? Beyond being a mere analysis of discourse, Narrating the Holocaust reflects the situations in camp that triggered these responses, and shows how the professional authors adapted certain literary genres (e.g. the travel story, the Hassidic tale) to serve as models for communication, while the vast majority who were not trained as writers merely used the form of the report. A comparison between these memoirs and the more frequently discussed camp novel identifies the different narrative strategies by which the two are determined. Most of the 130 texts discussed here were published in German between l934 and the present; some famous Italian, French and Polish texts have also been included for comparison.
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The Brexit debates confirmed how Wales’s relationship to Europe has for too long been discussed exclusively, narrowly and suffocatingly in terms of its social, political and economic aspects. As a contrast, this volume sets out to explore the rich, inventive and exhilarating spectrum of pro-European sentiment evident from 1848 to 1980 in the writings of Welsh intellectuals and creative writers. It ranges from the era of O. M. Edwards, through the interwar period when both right wing (Saunders Lewis) and left wing (Cyril Cule) ideologies clashed, to the post-war age when major writers such as Emyr Humphreys and Raymond Williams became influential. This study clearly demonstrates that far from being insular and parochial, Welsh culture has long been hospitably internationalist. As the very title Eutopia concedes, there have of course been frequently utopian aspects to Wales’s dreams of Europe. However, while some may choose to dismiss them as examples of mere wishful thinking, others may fruitfully appreciate their aspirational and inspirational aspects.
A sociohistorical analysis of the construction of Jewish life and national identity in post-Holocaust Germany.
"Das Standardwerk zur Geschichte insbesondere des Austauschlagers im KZ Bergen-Belsen. Auf breiter Quellengrundlage gründlich recherchiert und auf dem neuesten Forschungsstand." Jens-Christian Wagner, Stiftung niedersächsische Gedenkstätten "Für die Erforschung der Konzentrationslager im Kontext des Massenmordes an den Juden Europas liegt hier ein unverzichtbares Buch vor." Johannes Tuchel ("Das politische Buch") Neben Auschwitz wird das Konzentrationslager Bergen-Belsen als Synonym der nationalsozialistischen Lager begriffen. Doch die Entwicklungsgeschichte des "Aufenthaltslagers Bergen-Belsen" zeigt welche Sonderrolle Bergen-Belsen innerhalb des Konzentrationslager-Systems eingenommen ...