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Italy as a haven of gay liberty: a grand tour with Oscar Wilde, featuring previously unseen photographs and archival materials In Oscar Wilde's Italian Dream 1875-1900, leading Wilde scholar Renato Miracco combines written research with previously unseen visual material ranging from Wilde's earliest heady trips to Italy as an Oxford student to recently released court documents from his trial and his final days in France and Italy in 1900, after his incarceration in Reading Gaol, and his voluntary exile from Britain. Italy, and the larger world beyond London, was essential to the sensitivity and awareness of Wilde's identity, his contributions to prison reform and his challenges to social nor...
In 1983 a special issue of Capital named Costantino Nivola among the one-hundred most important Italian people in the US, together with, among others, Mario Cuomo, Frank Sinatra, Giovanni Sartori, Riccardo Muti, and Luciano Pavarotti. What did he do that was so important? He had fled from Fascist Italy, leaving Sardinia for New York, where his talent as an artist quickly stood out. It was here that he befriended others forced into exile (like Steinberg, De Kooning, Breuer) as well as Americans (like Calder, Kline, and Pollock). But one friendship stood out, and made a profound impact on his life, both as an artist and an individual: that with Le Corbusier. In turn, Le Corbusier was touched by Nivola¿s authentic brilliance and the Mediterranean imprint of his works.
2013 is the Year of Italian Culture in the United States, and this publication aims to celebrate Italy's less familiar, unexpected beauties. The photographers presented here travel not just to museums and palaces, but also city centers and deserted country roads, offering still lifes and portraits as well as cityscapes and landscapes. With works by Gabriele Basilico, Gianni Berengo Gardin, Mario Cresci, Renato D'Agostin, Andrea Galvani, Luigi Ghirri, Mimmo Jodice, Nino Migliori, Francesco Nonino, Bianca Sforni, Franco Vaccari and Paolo Ventura, Next Stop: Italygives a refreshing and informative overview of the contemporary photography scene in Italy. Each photographer opens their section with a poem; the authors range from Leopardi and Lorenzo de' Medici to Montale, Pasolini, Pavese and Ungaretti.
War and Art: The Preservation of Italian Treasures is the result of a joint effort by the Embassy of Italy in Washington, D.C., the Museo Centrale del Risorgimento in Rome, the National World War I Museum in Kansas City, and the Woodrow Wilson House in Washington, D.C.. All joined forces to ensure that the 100th anniversary of the start of the Great War is not forgotten. On July 27, 2014 the Embassy of Italy remembered the last day of peace before the tragedy of WWI with a touching ceremony. At Arlington National Cemetery, a trumpeter played the moving notes of our “The Silence” – our equivalent of “Taps” in the US, and traditionally performed when bidding farewell to the fallen ...
- This book aims to explore and analyze the way the Italian art world has experienced the allure of its counterpart in America and vice versa, and how the two have interacted Italian and American Art focuses on the period between 1930 and 1980 in particular. By comparing artworks and examining exhibition and gallery policies, political meddling, and figures linking Italy to the United States, a common thread emerges which held two worlds that were literally an ocean apart but in constant touch as they explored each other's movements contributing to art, from Futurism, Concrete art, and Abstract Expressionism, to Nuclear art, Pop art and Spatialism.
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these imme...
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome...
"This book presents an invaluable survey of Giorgio Morandi's drawings, watercolors, and etchings, selected mainly from British and American collections." "Morandi was a reserved artist who rarely left his studio in Bologna. He focused his extraordinary artistic sensitivity upon the same motifs again and again, each time depicting them anew. He was a master engraver, and his celebrated etchings - of which there are few - reveal the artist's unmatched ability to express lightness and depth. For Morandi, drawing - as Renato Miracco writes in his introductory essay - represented the first physical manifestation of the idea, a concrete trace of a largely metaphysical quest." "This essential volume - the second in the series I Quaderni dell'Istituto italiano di cultura di New York, which began with the works of Fausto Melotti - conveys an atmosphere of meditation and suspended reality, where simple shapes and muted colors reveal a parallel world that the viewer may gently enter." --Book Jacket.
Accompanying the exhibition "Silence!" held at the Italian Cultural Institute in New York in October 2009, this monograph presents recent paintings, drawings and a large installation by the Italian artist Michele Ciacciofera. Themes of violated democracy and torture are rendered so as to encourage us to imagine a scenario in which any of us might become a prisoner of something or someone.