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"Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Josâe Martâi to Marjorie Agosâin. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluctuation in quality. For detailed discussion of translations, see Charles Tomlinson in Times Literary Supplement, May 9, 1997; and Eliot Weinberger in Sulfur, 40, Spring 1997"--Handbook of Latin American Studies, v. 58.
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism’s combined but uneven development as these appear from the global ‘periphery’.
Praised by his admirers as "one of those rare heroic figures out of Plutarch" and as "an intrepid Don Quixote," Brazilian lawyer Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of dictator Getúlio Vargas. Through legal cases, activism in Catholic and lawyers' associations, newspaper polemics, and a voluminous correspondence, Sobral Pinto fought for democracy, morality, and justice, particularly for the downtrodden. This book is the first of a projected two-volume biography of Sobral Pinto. Drawing on Sobral's vast correspondence, which was not previously available to researchers, John W. F. Dulles confirms that Sobral Pinto was a true reformer, who h...
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins draws on Marxist theory to invite us to see familiar pictures anew.
This book presents six related studies that shed light on hateful speech, both verbal and multisemiotic, in a postcolonial setting relevant to countries of the Global South, such as Brazil. It offers a body of rich empirical analysis of linguistic, discursive and political-ideological data. Analytical results show how online and offline attacks and related forms of resistance occur and how they involve a complex tangle of national and international flows, intersecting and re-twining themes, narratives, and images in the public arena. Thereby, the book provides insights into how disruptive global flows fuse and transform local flows into tangled and fluid glocal issues, as shown in the sexist and misogynist violence that permeates political-ideological struggles in contemporary Brazil and beyond.
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins draws on Marxist theory to invite us to see familiar pictures anew.
The nearly 150-year-old sport of cycling had its first competition in France in 1868. Soon afterward, the need arose for purpose-built cycling tracks because of poor road conditions at the time. Racing on blocked off pieces of street or grass soon evolvedinto racing on special tracks called velodromes. This development marked the split into what are still the two main forms of cycling competition: road racing and track racing. Initially, track cycling was more popular in terms of public attention and money to be earned by racers, but this gradually changed in favor of road racing, which has been the most popular form of cycling since at least the end of World War II. The Historical Dictionar...
This edited collection aims to provide relevant theoretical frameworks and the latest empirical research findings in the area of business management. It covers case studies provided by teachers visiting the University of Economics in Katowice, Poland, within Erasmus and CEEPUS Programmes. Over 12 years, approximately 25 teachers have been coming year by year to Katowice, presenting their monographic lectures and participating in seminars on their research results and educational achievements. This book contains descriptions of case studies, elaborated by Erasmus and CEEPUS teachers, illustrating that the case study is a method of research as well as a method applied in education and emphasiz...
In Cairo Traffic, his third book of poems, Lloyd Schwartz asks the Sphinx to explain the riddle "about, you know, / Time and Power and Families-the one you think you / have the answer to. Tell me your answer! / No . . . don't." The search for answers takes the poet to some surprising, often phantasmagoric places, and back again to the self, to dreams, to home, and even to the nursing home where his mother-sphinxlike herself-becomes the person asking the dark questions and providing some unexpected answers. These extraordinary narratives-funny and frightening, seductive and profoundly moving-explore the intersections of character and language, the places where common speech mysteriously transforms itself into poetry. This book, which includes several translations of contemporary Brazilian poems, confirms Schwartz's growing reputation as an intensely compelling and original poet.