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The Guadagnini Family of Violin Makers
This 1949 volume remains the most comprehensive study of G. B. Guadagnini's life, work, and legacy. Includes a catalog of masterpieces and a new Introduction by an authority on musical instruments.
Trifles Make Perfection
"Wechsberg was a connoisseur in the old Continental sense of the word, a man who valued perfection for its own sake, seeing its quest as worthy and its attainment as eminently possible. Born in 1907 into a wealthy, assimilated Jewish family, he saw his comfortable life threatened by World War I and then extinguished by Hitler's annexation of his native Czechoslovakia. He came to America with only a basic command of English but an impressive understanding of what was happening in Europe. His most powerful essays, describing the tragic political fragmentation of Europe at the end of World War II, are never strident or bitter; his appreciations of Europe's finer offering are a sheer delight."--BOOK JACKET.
The ‘Ukulele
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national ...
Music from the Middle Ages Through the Twentieth Century
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Purgatory and Piety in Brittany 1480-1720
The concept of Purgatory was a central tenet of late-medieval and early-modern Catholicism, and proved a key dividing line between Catholics and Protestants. However, as this book makes clear, ideas about purgatory were often ill-defined and fluid, and altered over time in response to particular needs or pressures. Drawing upon printed pamphlets, tracts, advice manuals, diocesan statutes and other literary material, the study traces the evolution of writing and teaching about Purgatory and the fate of the soul between 1480 and 1720. By examining the subject across this extended period it is argued that belief in Purgatory continued to be important, although its role in the scheme of salvatio...
Death, Dying, Culture: An Interdisciplinary Interrogation
This inter- and multi-disciplinary volume examines how culture impacts care for the dying, the overall experience of dying, and ways the dead are re
Once a Week
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Makers of the Piano: 1820-1860
This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
Essays on the Performance of Baroque Music
In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French oper...
