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Shakespeare Revealed
Intimacies with Marlowe, entanglements in London with the mysterious dark lady, the probable fathering of an illegitimate son - the mysteries of Shakespeare's personal life have proven tantalisingly obscure. In Shakespeare Revealed, acclaimed authority, René Weis, brings the man and his milieu to the fore in a compelling reassessment. Breaking with tradition, he reveals how the works themselves contain a rich seam of clues about Shakespeare's life, from his heretical dalliances with Catholicism to his grief at the death of his son Hamnet. If there is a code in his writing, Shakespeare always intended it to be broken. This striking re-reading is consolidated by scrupulous archival research. Through reconstruction of records of the age, René Weis builds a colourful picture of Shakespeare's daily life: the bustling market town of Stratford, the spellbinding forests of Warwickshire, the pell-mell of London's theatres. Above all he reanimates Shakespeare's social scene: Stratford's family affairs and neighbourly disputes and a dangerous London scene, peopled with shady spies, informers and torturers.
Criminal Justice
Since her execution at Holloway prison in 1923, Edith Thompson has haunted the conscience of the nation. Grave doubts were expressed at the time about the extent to which she was responsible for her husband's murder in Ilford by her handsome young lover Frederick Bywaters. The Home Office files on the case were marked not to be opened for 100 years. The case against her rested largely on the evidence provided by 70 letters which she wrote to Bywaters. The truth is that these letters offer a unique insight into the workings of an overwrought romantic imagination, ultimately unable to free itself from the constraints of a suburban marriage and respectability. Through this correspondence and a painstaking reconstruction of the era, the author argues that Mrs Thompson was innocent.
King Lear
This reissed edition of Longman Annotated Texts King Lear includes comprehensive notes, annotations and an introduction, all designed to be of use to undergraduates and interested readers. King Lear is one of Shakespeare's most widely studied tragedies. However, since the late 1970s textual scholars, critics and editors have argued that there is no single 'King Lear' text. Anyone studying the play needs to be aware of two different texts, one based on the quarto of 1608, The History of King Lear, and a revised version published in the first folio of 1623, The Tragedy of King Lear. This edition offers a fully annotated, modern spelling version of the texts set side by side, identifying and elucidating the major discrepancies between the two. It presents some possible reasons for the differences between the two texts, which themselves shed light on a number of issues relating to literary transmission in the Renaissance and give an insight into the nature of performance and censorship.
The Real Traviata
The story of Marie Duplessis, the woman who inspired Verdi's La traviata. A rags-to-riches fairytale, from rural poverty to Parisian stardom, which ended in tragedy but gave rise to some of the most heart-wrenching and lyrical music ever composed.
The Yellow Cross
This work aims to reconstruct one of the most vividly documented fragments of medieval life concerning the late Cathar community in south-west France. Following the inquisition of the 1240s in which 10,000 Cathars were burned at the stake, it seemed this early heretical movement had been fully quashed. Fifty years later however, a revival was started, centred around the small town of Montaillou and led by the charismatic Authies brothers. It would be another 30 years before Rome finally stamped out the movement.
The White Devil
This volume offers John Webster's two great Jacobean tragedies, The White Devil and The Duchess of Malfi, together with his brilliant tragicomedy, The Devil's Law-Case, and the comedy written with William Rowley, A Cure for a Cuckold. Webster is a radically and creatively experimental dramatist. His tragedies deploy shifting dramatic perspectives which counteract and challenge conventional moral judgements, while the predominantly gentler tone of his comedies and tragicomedies responds inventively to contemporary changes in dramatic taste and fashion. All four plays display the provocative intelligence of a profoundly original playwright. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is detailed annotation, a glossary, and a critical introduction which traces Webster's artistic development, defends him against charges of overindulgence in violence, and explores his sophisticated staging and scenic forms.
Romeo and Juliet
This major new edition of Shakespeare's greatest tragedy of love argues that that play is ultimately Juliet's. The play text is expertly edited and the on-page commentary notes discuss issues of staging, theme, meaning and Shakespeare's use of his sources to give the reader deep and engaging insights into the play. The richly illustrated introduction looks at the play's exceptionally beautiful and complex language and focuses on the figure of Juliet as being at its centre. René Weis discusses the play's critical, stage and film history, including West Side Story and Baz Luhrmann's seminal film Romeo + Juliet. This is an authoritative edition from a leading scholar, giving the reader a penetrating and wide-ranging insight into this ever popular play.
The Shakespeare Circle
This collection tells the life stories of the people whom we know Shakespeare encountered, shedding new light on Shakespeare's life and times.
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The newest volume in the distinguished annual
Cathars in Question
The question of the reality of Cathars and other heresies is debated in this provocative collection.
