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Magnifying Mirrors
Mit Bezügen zu Meret Oppenheim.
Surrealism and the Book
"An indispensable tool ... for the student of Surrealism and book illustration ... [and] also for those interested in the complicated intrications between literature and pictorial movements from Romanticism to present-day Postmodernism"--Blurb.
Cultural (Dis)Connections
The daughter of German Jewish parents, both of them prominent physicians defending liberal causes, Renie Riese Hubert was bundled out of Nazi Germany as a young girl to be educated in Paris. Her memoirs tell the extraordinary story of a young woman, poet, art connoisseur, teacher, whose life and work reflected the pivotal moments in 20th century art and culture. "Renee Hubert introduces us to a gallery of people she has known, the offbeat and the talented, some famous, some geniuses, many eccentrics, all of them colourful. She paints them in detail, vividly, lovingly, and often with subtle irony . . . she writes with candour and understatement, throwing open a window to a panorama of cultura...
Conjunctions
None
Women in Dada
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
Reading Relationally
How reading literature through the lens of visual art sheds new light on the accomplishments of modernist and postmodernist writers
Surrealism and Women
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surre...
The Beribboned Bomb
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
