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Mit Bezügen zu Meret Oppenheim.
"An indispensable tool ... for the student of Surrealism and book illustration ... [and] also for those interested in the complicated intrications between literature and pictorial movements from Romanticism to present-day Postmodernism"--Blurb.
The daughter of German Jewish parents, both of them prominent physicians defending liberal causes, Renie Riese Hubert was bundled out of Nazi Germany as a young girl to be educated in Paris. Her memoirs tell the extraordinary story of a young woman, poet, art connoisseur, teacher, whose life and work reflected the pivotal moments in 20th century art and culture. "Renee Hubert introduces us to a gallery of people she has known, the offbeat and the talented, some famous, some geniuses, many eccentrics, all of them colourful. She paints them in detail, vividly, lovingly, and often with subtle irony . . . she writes with candour and understatement, throwing open a window to a panorama of cultura...
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This volume expands upon and extends the work initiated by Renee Riese Hubert in Surrealism and the Book (University of California Press, 1987) by focusing acute critical attention on recent and contemporary artists' books. In The Cutting Edge of Reading the Huberts' develop a discourse which starts where the livre d'artiste leaves off.
Son una tarjeta postal y siete cartas de Renée Riese Hubert y siete cartas de Jorge Guillén, que tratan principalmente sobre los viajes realizados por ambos; del trabajo como profesora de francés y literatura comparada de Renée y la obtención de una beca Guggenheim; y del envío de obras, que Guillén comenta, en especial "Le Cité borgne" y escritos de Hubert sobre arte y literatura Incluye además, un poema impreso de Renée Riese Hubert (h. 11)
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.