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The Actor's Way
Can 'stage presence' be acquired? Why do some actors appear more dynamic in performance than others? In The Actors Way four experienced actors talk about the secrets and the practical realities of over twenty-five years of theatre training with Odin Teatret. Under the unique direction of Eugenio Barba, director of Odin Teatret, they have explored issues such as the connections between physical and mental work on stage, how to gain and control the spectator's attention, and intercultural performance techniques. The Actor's Way is a fascinating account of personal and professional development in the theatre. It will be vital reading for drama students and actors, but enjoyable and illuminating for anyone interested in the craft of acting.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Borderwork
The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline and calls for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender.
The Very Rich Hours of Adrienne Monnier
In 1920s Paris, Adrienne Monnier provided a focal point for the writers and artists drawn to the Left Bank. Her bookstore in the Rue de l’Odeon was aptly called La Maison des Amis des Livres. Monnier took a simple though sophisticated delight in language, books, art, music, nature, friendship, and food. Her 1940 journal, written as Paris fell to the Germans and originally published in 1976, is a rich tapestry of essays, reviews, and personal recollections. She goes to lunch with Colette, visits T. S. Eliot, befriends Joyce, argues with Breton, takes walks with Gide, publishes her elegant reviews, and reflects on the ballet, opera, Steinberg drawings, Marlon Brando and Alec Guinness movies, and the country of her birth.
Scripting Empire
A volume on the literary and cultural history of West Indian and West African writing at the BBC. The volume covers over 40 different radio programmes which appeared within the 'Calling West Africa' and 'Calling West Indies' schedules between 1941 and 1965 and brings together a wide range of uncatalogued archive materials.
Camus
This is the first full-length study in English of Camus's life-long fascination with the works of the Russian writer Feodor Dostoevsky. The purpose of the book is to demonstrate the ways in which Dostoevsky's thought and fiction served to stimulate and crystallize Camus's own thinking. Davison lucidly identifies the lines of divergence and counter-arguments which Camus produced as answers to the challenge of Dostoevsky's Christian/Tzarist vision of life. The traditional methods of comparative literary criticism are jettisoned in favour of the more exciting claim that Camus's literary and philosophical texts can be read as precise and detailed replies to some of Dostoevsky's central beliefs about immortality, religion and politics. The study ranges freely over the entirety of the works of both major writers.
Questioning Racinian Tragedy
Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad
Cutting the Rose
3 What are the issues?
The Melodramatic Thread
“This ambitious undertaking is concerned with the melodramatic form in theatre and film and its impact on French political culture.” —H-France Review In France, both political culture and theatrical performances have drawn upon melodrama. This “melodramatic thread” helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performanc...
Sartre's Theatre
Published on the eve of the philosopher-playwright's centenary, this study offers a wide-ranging re-appraisal of Sartre's complete dramatic opus, from the inaugural 'nativity' play, Bariona (1940), to the swan-song chorus of Armageddon, Les Troyennes (1965). It draws on a close reading of Sartre's writings in philosophy, literature and criticism, and provides an extensive survey of journalistic and academic reception. Each play is situated in relation both to Sartre's intellectual evolution and to the broader historical context. This is the first full-length study in English, for more than thirty years, covering the whole of Sartre's theatre, and it will interest students of twentieth-century European drama, as well as those of modern French literature and ideas.
