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Voices of the Survivors
By blending personal memoir and critical analysis, Voices of the Survivors explores cultural and human responses to the violence of political repression and social disintegration perpetrated in Argentina during the so called Dirty War of the late '70s and early '80s. Central to the theoretical and critical corpus is the work of scholars writing in response to the historical trauma of the Holocaust (Adorno, La Capra, Shoshana Felman), which posed questions regarding social trauma, the links between mourning and memory, and the role of artistic creation and its value as testimony. The book traces shifts in discursive formations and social practices critical to understanding the origin and impa...
Britannica Book of the Year 2013
The Britannica Book of the Year 2013 provides a valuable viewpoint of the people and events that shaped the year and serves as a great reference source for the latest news on the ever changing populations, governments, and economies throughout the world. It is an accurate and comprehensive reference that you will reach for again and again.
Jewish Issues in Argentine Literature
This examination of Jewish Argentine literature centers on the analysis of eight selected works whose publication dates range from 1910 to 1977. This study will examine poetry and a more abstract novel in addition to novels more overtly concerned with social history.
Comparative Print Culture
Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.
