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Performance Research: Letters from Europe
Europe is a continent in a state of rapid - and frequently unsettling, transition. In the past five years, a total of twelve new states have emerged in a continent in which only five countries can boast of having had stable borders for more than a hundred years. Accompanied by in-depth articles and interviews discussing European performance today, Letters From Europe uses the framing device of the letter - letters from theatre makers, artists and critics - to present an intensive, up-to-date survey of the performance forms of the new Europe and their relationship with the past.
Performance Research 1.3
The question of illusion and reality - the relationship of representation and lived experience to the arts and to broader philosophical considerations - continues to be a central issue in contemporary performance.
Performance Research
Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures.
Performance Research
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Performance Research V6 Issu 3
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
A Performance Cosmology
Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics. Contributors include: Philip Auslander, Rustom Bharucha, Tim Etchells, Jane Goodall, Guillermo Gomez-Pena, Jon Mckenzie, Claire MacDonald, Susan Melrose, Alphonso Lingis, Richard Schechner, Rebecca Schneider, Edward Scheer, and Freddie Rokem. A Performance Cosmology is structured as a travelogue through a matrix of strategic, imaginary, interdisciplinary field stations. This innovative framework enables readings which disrupt linearity and afford different forms of thematic engagement. The resulting volume opens entirely new vistas on the old, new, and as yet unimagined, worlds of performance.
Performance Research
Performance Research: On Ritual will examine a range of ritual practices bordering on or intended to be seen as theatre. It will explore both historical and systematic connections between ritual and theatre, present the work of contemporary artists, and reflect on the role and meaning of ritual for theatrical purposes in the late 20th century.
On Refuge
A 'refuge' provides a place of safety, a place which constitutes the necessary conditions for making work. But what are the conditions of making work for the displaced, exiled or the migrant artist when the 'place' and conditions for work have (perhaps) been erased? On Refuge looks at how such altered conditions affect the work of performance and considers how performance constructs its own production and survival. The contributors address issues of territory and asylum, home and exile, locality and migration - as they affect both artists themselves and the forms evident in contemporary performance.
On Proximity
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