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In his latest collection of poems, scholar-poet Ricardo Quinones announces (with little regret) that last year's Finishing Touches did not quite live up to its name. Other poems, some worthy of the best of his earlier volumes, obtruded, seeming to call for the special attention of a new volume: Fringes.
Despite comparisons between Erasmus and Voltaire having become common-place in the course of the nineteenth century, this is the first full study to bring them together in their careers, their works, and their historic afterlives. Each was a force for change in his time and thus ranks among the masters of modern liberalism. Beginning with the continuities between the Renaissance and the Enlightenment, award-winning scholar Ricardo J. Quinones joins Erasmus and Voltaire as voices of moderation and reason that remain capable of addressing the philosophical crises of twentieth-century thought. A companion piece to Dualisms, Quinones' 2007 book, Erasmus and Voltaire differs in method: where its predecessor looked to inveterate, unyielding differences, this new work looks to similarities. In delving beneath the obvious differences between these two intellectual giants, Quinones uncovers the great practical and spiritual vocations that unite them.
Professor Quinones describes significant stages in the development of literary Modernism, redefining the period as extending from about 1900 to 1940, and beyond, and not as an entity centered on the 1920s. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In a fascinating analysis of critical themes in Feodor Dostoevsky’s work, René Girard explores the implications of the Russian author’s “underground,” a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard’s remarkable engagement with Dostoevsky’s work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is “triangular” or “mimetic”—copied from models or mediators whose objects of desire become our own. Girard’s interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky’s writing, culminating in a revelatory discussion of the author’s spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky’s Notes from the Underground.
In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society.
Today he is known as Dr. Q, an internationally renowned neurosurgeon and neuroscientist who leads cutting-edge research to cure brain cancer. But not too long ago, he was Freddy, a nineteen-year-old undocumented migrant worker toiling in the tomato fields of central California. In this gripping memoir, Alfredo Quiñones-Hinojosa tells his amazing life story—from his impoverished childhood in the tiny village of Palaco, Mexico, to his harrowing border crossing and his transformation from illegal immigrant to American citizen and gifted student at the University of California at Berkeley and at Harvard Medical School. Packed with adventure and adversity—including a few terrifying brushes with death—Becoming Dr. Q is a testament to persistence, hard work, the power of hope and imagination, and the pursuit of excellence. It’s also a story about the importance of family, of mentors, and of giving people a chance.
This new critical volume contains commentary on the 'Purgatorio' by 33 international scholars, each of whom presents to the nonspecialist reader one of the cantos of the transitional middle cantica of Dante's unique Christian epic.
This collection of essays provides a portrait of the intellectual relationship between these two men. It addresses several points of contact and covers themes of the debate from the different periods in their shared history.
Front Lines documents the literary practices of imperial Spain's common soldiers. The epic poems, chronicles, ballads, and autobiographies that these soldiers wrote at the front provide a critical view from below on state violence and imperial expansion.