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A fully illustrated account of Richard Dadd's life and career, this title presents a fascinating exploration of the relationship between art and madness.
Reflections from Hellpresents decades of Richard Lewis' "dark comedic premises," jokes and reflections that are fantastically illustrated by the remarkable art of Carl Titolo. Lewis recounts that he was "blown to smithereens" when introduced to the world of Carl Titolo. Titolo's visual interpretations of Richard Lewis' words create a humorous and compelling reflection on modern life and a compelling page turning knee slapper. As Richard Lewis says of Carl Titolo's art; "though a entirely different medium, it felt like it was stolen right out of my own torment."
The quintessential book on the beloved California artist reveals new scholarly research and firsthand reflections by fellow artists and friends and relatives. A fresh and new overview of this treasured West Coast artist, with hundreds of his paintings, drawings, and prints covering five decades of his illustrious career. The book surveys the extraordinary achievements of Diebenkorn, who successfully explored both abstract and figurative painting. Produced in a slipcase box, this is the ultimate source for art enthusiasts, from his early work of the mid-1940s to his Berkeley and Ocean Park series. The book includes not only his iconic paintings of the California landscape and interior figures but also many of his less-well-known and rarely published works. Art historian Sasha Nicholas discusses Diebenkorn's place in postwar American painting and his independence from the art-world trends. Steven Nash conducts an interview with close friend Wayne Thiebaud, giving an artist's point of view. The two artists shared the inspiration of California and experimented with perspective to capture their surroundings.
The Handbook of Research on Teaching Literacy Through the Communicative and Visual Arts, a comprehensive overview of research on this topic, extends conceptualizations of literacy to include all of the communicative arts (reading, writing, speaking, listening, viewing) and the visual arts of drama, dance, film, art, video, and computer technology.
King John ruled England for seventeen and a half years, yet his entire reign is usually reduced to one image: of the villainous monarch outmanoeuvred by rebellious barons into agreeing to Magna Carta at Runnymede in 1215. Ever since, John has come to be seen as an archetypal tyrant. But how evil was he? In this perceptive short account, Nicholas Vincent unpicks John's life through his deeds and his personality. The youngest of four brothers, overlooked and given a distinctly unroyal name, John seemed doomed to failure. As king, he was reputedly cruel and treacherous, pursuing his own interests at the expense of his country, losing the continental empire bequeathed to him by his father Henry and his brother Richard and eventually plunging England into civil war. Only his lordship of Ireland showed some success. Yet, as this fascinating biography asks, were his crimes necessarily greater than those of his ancestors - or was he judged more harshly because, ultimately, he failed as a warlord?
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
Despite the ever-present oppression of the Jim Crow South around him, Tobit Messager had become a prosperous and well-respected man. Then one day forces beyond his control start a cascade of misfortune that leaves him blind and nearly destitute. It is then that an affable travelling musician, who calls himself Ace Redbone, shows up on his doorstep claiming to be a distant relative. In an effort to alleviate his family's dire situation, Tobit allows his son, Tobias, to accompany Ace Redbone on a quest to collect a long overdue debt. Together, Ace, Tobias, and a most peculiar dog named Okra set off on a journey that will lead to unexpected consequences. Currents of grace begin rippling through not only Tobit's family but his entire community as hidden crimes are revealed and justice, which had almost been despaired of, is served. This retelling of the biblical story of Tobit, set in North Carolina during the Depression, brings to life in surprising ways the beloved Old Testament characters, including the important but often overlooked family dog.
The transatlantic slave trade forced millions of Africans into bondage. Until the early nineteenth century, African slaves came to the Americas in greater numbers than Europeans. In the Shadow of Slavery provides a startling new assessment of the Atlantic slave trade and upends conventional wisdom by shifting attention from the crops slaves were forced to produce to the foods they planted for their own nourishment. Many familiar foods—millet, sorghum, coffee, okra, watermelon, and the "Asian" long bean, for example—are native to Africa, while commercial products such as Coca Cola, Worcestershire Sauce, and Palmolive Soap rely on African plants that were brought to the Americas on slave ships as provisions, medicines, cordage, and bedding. In this exciting, original, and groundbreaking book, Judith A. Carney and Richard Nicholas Rosomoff draw on archaeological records, oral histories, and the accounts of slave ship captains to show how slaves' food plots—"botanical gardens of the dispossessed"—became the incubators of African survival in the Americas and Africanized the foodways of plantation societies.
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