You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"Jay L. Halio is internationally distinguished as an editor of Shakespeare's plays and as a critic of Shakespeare in performance. This collection, with an international list of contributors, honors both those interests and explores their interconnectedness."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives. Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
An introduction to the work of the first widely acknowledged master filmmaker.
None
American dancer, singer and actress Gwen Verdon (1925-2000) won four Tony awards for her work on Broadway and also appeared in films and on television. Stricken with rickets as a child, Verdon overcame severe leg deformity through ballet training, making her film debut at 11 as a solo ballerina in the musical The King Steps Out (1936). Her theater credits include Can-Can (1953-1955), Damn Yankees (1955-1956), Redhead (1959-1960), New Girl in Town (1957-1958), Sweet Charity (1966-1967) and Chicago (1975-1977). When not dancing on stage or screen, she coached other actors, such as Jane Russell, Lana Turner, Betty Grable, Marilyn Monroe and Shirley MacLaine. This first full-length biography of Verdon covers her life and career, her individual performances and her collaborations with choreographers Jack Cole and Bob Fosse, her husband.
Shelley's tragedy, The Cenci, has been regarded as an avant-garde attack on orthodox Christian principles, a celebrated cause for Victorian intellectuals, a vehicle for innovative minds of the theater, a historical oddity, a neglected masterpiece. Derived from the dark legends of one of Rome's great families, the Cenci records a history of sadism, incest, and murder. Shelley's one actable play has received little attention in modern times. Professor Curran studies it first as a poem-its patterns, themes, imagery-then as a play. After showing its relationship to England's Regency theater, he analyzes the fascinating course of its stage history, and finds Shelley foreshadowing such modern emph...
What we now call "the good life" first appeared in California during the 1930s. Motels, home trailers, drive-ins, barbecues, beach life and surfing, sports from polo and tennis and golf to mountain climbing and skiing, "sportswear" (a word coined at the time), and sun suits were all a part of the good life--perhaps California's most distinctive influence of the 1930s. In The Dream Endures, Kevin Starr shows how the good life prospered in California--in pursuits such as film, fiction, leisure, and architecture--and helped to define American culture and society then and for years to come. Starr previously chronicled how Californians absorbed the thousand natural shocks of the Great Depression-...