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The Art of the American Musical
Musical theater has captivated American audiences from its early roots in burlesque stage productions and minstrel shows to the million-dollar industry it has become on Broadway today. What is it about this truly indigenous American art form that has made it so enduringly popular? How has it survived, even thrived, alongside the technology of film and the glitz and glamour of Hollywood? Will it continue to evolve and leave its mark on the twenty-first century? Bringing together exclusive and previously unpublished interviews with nineteen leading composers, lyricists, librettists, directors, choreographers, and producers from the mid-1900s to the present, this book details the careers of the...
The Actor's Art
Bryer (English, U. of Maryland) and Davison (English, U. of Delaware) interviewed 17 seasoned actors about their professional lives, their views of American theater, and their perspectives on acting, the characters they've played, and the directors they've worked with. The interviews are presented in qanda format, and include the thoughts of Zoe Caldwell, Hume Cronyn and Jessica Tandy, Blythe Danner, Ruby Dee, George Grizzard, Julie Harris, Eileen Heckart, Cherry Jones, James Earl Jones, Stacy Keach, Shirley Knight, Nathan Lane, Jason Robards, Maureen Stapleton, and Eli Wallach and Anne Jackson. Annotation copyrighted by Book News Inc., Portland, OR
Frank Norris
Born in Chicago in 1870, Frank Norris led a life of adventure and art. He moved to San Francisco at fifteen, spent two years in Paris painting, and returned to San Francisco to become an internationally famous author. He died at age thirty-two from a ruptured appendix. During his short life, he wrote an inspired series of novels about the United States coming of age. The Octopus was a prescient warning about the threat of monopolies, and The Pit exposed the intrigues and dirty dealings at the Chicago grain exchange. Extensively reprinted, Norris's works have also found their way into popular consciousness through film (Erich von Stroheim's Greed), and even an opera based on his portrait of t...
Appropriating Hemingway
In more than 30 novels, several short stories, graphic novels, movies, plays and poems, Ernest Hemingway has been introduced or "appropriated" as an important fictional character. This book is an inquiry into that phenomenon from various perspectives--including that of fan fiction--and deals with such questions as what, if anything, this biographical fiction adds to the dialogue about America's best known and most talked about writer.
American Novel Explication, 1969-1980
Covers criticism of American novels found in journals and books published between the years 1991 and 1995.
Critical Companion to F. Scott Fitzgerald
The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.
F. Scott Fitzgerald
Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives. Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
The Dream Endures
The 1930s were the heyday of the Hollywood studios, and Starr brilliantly captures Hollywood films and the society that surrounded the studios.
Gwen Verdon
American dancer, singer and actress Gwen Verdon (1925-2000) won four Tony awards for her work on Broadway and also appeared in films and on television. Stricken with rickets as a child, Verdon overcame severe leg deformity through ballet training, making her film debut at 11 as a solo ballerina in the musical The King Steps Out (1936). Her theater credits include Can-Can (1953-1955), Damn Yankees (1955-1956), Redhead (1959-1960), New Girl in Town (1957-1958), Sweet Charity (1966-1967) and Chicago (1975-1977). When not dancing on stage or screen, she coached other actors, such as Jane Russell, Lana Turner, Betty Grable, Marilyn Monroe and Shirley MacLaine. This first full-length biography of Verdon covers her life and career, her individual performances and her collaborations with choreographers Jack Cole and Bob Fosse, her husband.
