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"If psychoanalysis is the return of repressed antiquity, distorted to be sure by modern desire, yet still bearing the telltale traces of the ancient archive, then would not our growing distance from the archive of antiquity also imply that we are in the process of losing our grip on psychoanalysis itself, as Freud conceived it?"—from Chapter 1As he developed his striking new science of the mind, Sigmund Freud had frequent recourse to ancient culture and the historical disciplines that draw on it. A Compulsion for Antiquity fully explores how Freud appropriated figures and themes from classical mythology and how the theory and practice of psychoanalysis paralleled contemporary developments ...
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In a world, in which camcorders and CCTV are witness to our every move and Big Brother and The Blair Witch Project are phenomenally popular and widely imitated, the divide between reality and liction has become increasingly blurred.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ America: Richard Armstrong. Hawaii Mrs. Mary Frances Morgan Armstrong, Mary Frances Armstrong, Samuel Chapman Armstrong Normal school press print, 1887 Religion; Christian Ministry; Missions; Missionaries; Missions; Religion / Christian Ministry / Missions
The life story of Richard Ramsay Armstrong, RN, 1833 - 1910. 3 years on the Coast of Africa for suppression of the slave trade. Then the Crimea, and 6 months with the Naval Brigade. He survived cholera but was wounded 5 times. Back at home the doctors thought he would die. Instead, he emigrated to NZ, to try farming. It didn't work out, so, he went to be a planter in Fiji. This failed, but he had to survive many hazards: a hurricane wiped him out. Then he was the official at Lord Howe Is. He became the thorn in the side of speculators who got his dismissal on trumped up charges. Back in Australia several schemes failed to make his fortune. He never mentions his family and though he fathered 6 children, he always seems to have been off on some project, giving the impression of a poor family man! This is confirmed by his wife's occasional diary which is included after his work. There are extensive footnotes and a substantial appendix examining some of Armstrong's stories in detail.
A description of the current political practices in America-warts and all.
The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.
In a world, in which camcorders and CCTV are witness to our every move and Big Brother and The Blair Witch Project are phenomenally popular and widely imitated, the divide between reality and liction has become increasingly blurred.
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