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A Life in Pieces
An unforgettable story of unimaginable suffering and ultimate recovery, 'A Life in Pieces' is the account of life with Multiple Personality Disorder written by the treating psychiatrist.
The Rights of Nature
Charting the history of contemporary philosophical and religious beliefs regarding nature, Roderick Nash focuses primarily on changing attitudes toward nature in the United States. His work is the first comprehensive history of the concept that nature has rights and that American liberalism has, in effect, been extended to the nonhuman world. “A splendid book. Roderick Nash has written another classic. This exploration of a new dimension in environmental ethics is both illuminating and overdue.”—Stewart Udall “His account makes history ‘come alive.’”—Sierra “So smoothly written that one almost does not notice the breadth of scholarship that went into this original and important work of environmental history.”—Philip Shabecoff, New York Times Book Review “Clarifying and challenging, this is an essential text for deep ecologists and ecophilosophers.”—Stephanie Mills, Utne Reader
This Sacred Earth
This is the first comprehensive survey of the critical connections between religion, nature and the environment. It includes writings from sacred texts and a broad spectrum of new eco-theological selections. Historical and contemporary selections from key authors and a multicultural range of sources make This Sacred Earth an invaluable teaching resource and a unique introduction to the theory and practice of religious environmentalism.
Switching Time
"[A]n absorbing journey through a psychiatrist’s dauntingly challenging first case of multiple personality disorder--from the beginning of therapy to stable integration and recovery." -- Colin Ross, author of Multiple Personality Order and The Osiris Complex In 1989, Karen Overhill walks into psychiatrist Richard Baer’s office seeking help for her depression and a persistent memory problem: she routinely loses parts of her day, finds herself in places she doesn't remember going to, and is told about conversations she doesn’t remember having. While trying to discover the root cause of her memory loss, Baer works to gain Karen's trust, but it's years before he learns the true extent of t...
A Life in Pieces
In 1989 a woman named Karen showed up at author and psychiatrist Richard Baer's practice, terribly frightened and at breaking point. She explained that her husband beat her, her mother stole from her; she was in tremendous physical pain and wanted to die. Within a few sessions she also revealed that her father and grandfather had raped and tortured her repeatedly over the course of her childhood, frequently in the company of other neighbourhood men. She was now married with two children, but often could not account for stretches of minutes, hours, sometimes even days. As Karen's story unfolded over the following months, Baer realised that he was dealing with a severe case of Multiple Persona...
Mixed Emotions
THE STORY: Herman Lewis (a Jewish carpet dealer) and Christine Millman (an interior decorator and lapsed Catholic) have been friends for more than thirty years. When their respective mates were alive, the two couples saw each other constantly and o
The Frankfurt Auschwitz Trial, 1963-1965
Drawing on a wide range of archival sources, this book provides a comprehensive history of the Frankfurt Auschwitz trial.
Richard Barr
In Richard Barr: The Playwright’s Producer, author David A. Crespy investigates the career of one of the theatre’s most vivid luminaries, from his work on the film and radio productions of Orson Welles to his triumphant—and final—production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Explored in detail along the way are the producer’s relationship with playwright Edward Albee, whose major plays such as A Zoo Story and Who’s Afraid of Virginia Woolf Barr was the first to produce, and his innovative productions of controversial works by playwrights like Samuel Beckett, Terrence McNally, and Sam Shepard. Crespy draws on Barr’s own writings on the theatre, his personal papers, and more than sixty interviews with theatre professionals to offer insight into a man whose legacy to producers and playwrights resounds in the theatre world. Also included in the volume are a foreword and an afterword by Edward Albee, a three-time Pulitzer Prize–winning playwright and one of Barr’s closest associates.
