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"Kendall's method is not to give full-scale interpretations of individual plays and poems or to attempt a conventional Canterbury/Cambridge/London appraisal of Marlowe's life, but rather to take the reader along a rough chronological path that traces the life of Richard Baines, picking suitable spots to break off the narrative and analyze Marlowe's writings and actions and reinterpret known events connected with his life and with Baines's (especially where they overlap). By offering fresh primary evidence, Kendall is able to suggest new ways in which each influenced the life of the other - especially how Baines influenced and affected Marlowe."--BOOK JACKET.
Christopher Marlowe (1564–1593) emerges in most accounts of his life by biographers and critics as a mysterious and sensational action figure, a hapless pawn of circumstance, or a pseudonymous cipher. Constance Brown Kuriyama's new biography reconstructs the eventful life of a radically innovative playwright who flourished briefly and died violently more than four hundred years ago, yet persists in the romantic imagination even today. Many discoveries about Marlowe's life have emerged over the past hundred years. The author here supplements these findings with new material, placing the dramatist and poet more precisely in his historical milieu. Kuriyama interprets Marlowe's acts of violenc...
Short description: Cattle are a major source of non-CO2 greenhouse gas emissions. Part 1 reviews the genetics, measurement and modelling of methane emissions from cattle. Parts 2 and 3 look at mitigation strategies, from manure and grassland management to improved nutrition.
THE CAUCASIAN CHALK THING is by Richard Baines but freely adapted from the Eric Bentley translation of the play by Bertolt Brecht. Why tinker with The Caucasian Chalk Circle? It's a long play. It's a complicated play. The propaganda can become a bit repetitive. Epic theatre, as Brecht's theatre is called, is like a row of boxcars, each scene standing on its own, and so the sets are constantly changing. Most school productions would take a knife to the original text. Our version simplifies and streamlines the production. Extra lines are added without taking away the spirit and mood of the original. There are parts here for twenty or more actors, half of them playing several characters. But this is Brecht. His poetry is here. His humour is here. His characters continue to be amusing because of their blatantly self-centred approach to life. Many of them are caricatures, but that is what makes them fun to play. This is not Stanislavski. Actors do not need to be talented thespians to take part in a Brecht play. So 'have fun with it' as Drama Directors are wont to say on opening nights.
First performed by Shakespeare’s rivals in the 1590s, Christopher Marlowe’s The Jew of Malta was a trend-setting, innovative play whose black comedy and final tragic irony illuminate the darker regions of the Elizabethan cultural imagination. Although Jews were banished from England in 1291, the Jew in the form of Barabas, the play’s protagonist, returns on the stage to embody and to challenge the dramatic and cultural anti-Semitic stereotypes out of which he is constructed. The result is a theatrically sophisticated but deeply unsettling play whose rich cultural significance extends beyond the early modern period to the present day. The introduction and historical documents in this edition provide a rich context for the world of the play’s composition and production, including materials on Jewishness and anti-Semitism, the political struggles over Malta, and Christopher Marlowe’s personal and political reputation.
A brilliant mix of detective story, history and biography. In 1593, the controversial young playwright Christopher Marlowe was stabbed to death in a Deptford lodging house and the official account -- a violent quarrel over the bill -- has long been regarded as dubious.
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays. Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux family * Espionage * Family of Love * food and diet * James Hepburn, Earl of Bothwell * inns * Ket's Rebellion * John Lyly * mapmaking * Frances Meres * miniature painting * Pavan * Pilgrimage of Grace * Revels Office * Ridolfi plot * Lady Mary Sidney, Countess of Pembroke * treason * and much more. Also includes an 8-page color insert.