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This book explores the history of wildlife television in post-war Britain. It revolves around the role of David Attenborough, whose career as a broadcaster and natural history filmmaker has shaped British wildlife television. The book discusses aspects of Attenborough’s professional biography and also explores elements of the institutional history of the BBC—from the early 1960s, when it was at its most powerful, to the 2000s, when its future is uncertain. It focuses primarily on the wildlife ‘making-of’ documentary genre, which is used to trace how television progressively became a participant in the production of knowledge about nature. With the inclusion of analysis of television programmes, first-hand accounts, BBC archival material and, most notably, interviews with David Attenborough, this volume follows the development of the professional culture of wildlife broadcasting as it has been portrayed in public. It will be of interest to wildlife television amateurs, historians of British television and students in science communication.
A macho struggle for supremacy over a barbecue; a young boy's daydream carved on a wall; a snatched moment of passion in a cramped tunnel deep underground; two obsessive genealogists united by a century-old tragedy; and one man's bizarre newspaper-buying habits. These unforgettable moments chronicle the lives of a diverse range of characters, played out against a backdrop of over 150 years of British industrial history. The author explores the effects--both protective and oppressive--of industrial communities on those who live at the heart of them. His lucid prose vividly depicts the humanity of the individual struggling to gain a footing in this world of mass-identity, and the devastating consequences of the industrial decay of the late Twentieth Century on those whose lives have been built around it. This finely crafted short story collection introduces a fresh and youthful new voice in fiction.