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The Politics of Cultural Mediation
Translators mediate between cultures; they negotiate the transfer of meaning from one word and world to another. Writers who migrate, uprooting themselves from one world and settling in another, also mediate between cultures and are mediated by them. This collection of essays explores the contact zones produced by the migrations of two German-born cultural figures: New York Dada poet and artist Else Plötz (1874–1927), better known as Baroness Elsa von Freytag-Loringhoven or simply "the Baroness"; and writer and translator Felix Paul Greve (1879–1948), aka the Canadian author Frederick Philip Grove. Both figures negotiated languages beyond their mother tongue (German); both moved between geographic and cultural worlds; both produced cultural works in their adopted countries (the United States and Canada); and both "translated" themselves into new contexts. The Politics of Cultural Mediation features contributions by Richard Cavell, Jutta Ernst, Irene Gammel, Paul Hjartarson, Klaus Martens and Paul Morris and includes Morris’s translation of Greve’s "Randarabesken Zu Oscar Wilde."
McLuhan in Space
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.
Downtown Canada
Downtown Canada is a collection of essays that addresses Canada as an urban place. The contributors focus their attention on the writing of Canada's cities and call attention to the centrality of the city in Canadian literature.
To Know Our Many Selves
To Know Our Many Selves profiles the history of Canadian studies, which began as early as the 1840s with the Study of Canada. In discussing this comprehensive examination of culture, Hoerder highlights its unique interdisciplinary approach, which included both sociological and political angles. Years later, as the study of other ethnicities was added to the cultural story of Canada, a solid foundation was formed for the nation's master narrative.
Unhomely States
Unhomely States is the first collection of foundational essays of Canadian postcolonial theory. The essays span the period from 1965 to the present day and approach broad issues of Canadian culture and society. They represent the impassioned conflicts, dissonances, and intersections among postcolonial theorists in English Canada. Theories of Canadian postcolonialism are various and often contending. The questions proliferate: Is Canada postcolonial? Who in Canada is postcolonial? Are some Canadians more postcolonial than others? Together, the essays in this collection demonstrate both the historical development of this vigorous debate and its most prominent current perspectives. The antholog...
Unruly Penelopes and the Ghosts
This collection of essays studies the cultural and literary contexts of narrative texts produced in English Canada over the last forty years. It takes as its starting point the nationalist movement of the 1960s and 70s, when the supposed absence or weakness of a national sense became the touchstone for official discourses on the cultural identity of the country. That type of metaphor provided the nation with the distinctive elements it was looking for and contributed to the creation of a sense of tradition that has survived to the present. In the decades following the 1970s, however, critics, artists, and writers have repeatedly questioned such a model of national identity, still fragile and...
On Black Media Philosophy
Introduction: the medium is the message, revisited: media and Black epistemologies -- Technological darwinism -- Black escapism on the underground (Black) anthropocene -- Toward a theory of intercommunal media -- Black "matter" lives: Michael Brown and digital afterlives -- Conclusion: the reparations of the earth.
