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The Politics of Cultural Mediation
Translators mediate between cultures; they negotiate the transfer of meaning from one word and world to another. Writers who migrate, uprooting themselves from one world and settling in another, also mediate between cultures and are mediated by them. This collection of essays explores the contact zones produced by the migrations of two German-born cultural figures: New York Dada poet and artist Else Plötz (1874–1927), better known as Baroness Elsa von Freytag-Loringhoven or simply "the Baroness"; and writer and translator Felix Paul Greve (1879–1948), aka the Canadian author Frederick Philip Grove. Both figures negotiated languages beyond their mother tongue (German); both moved between geographic and cultural worlds; both produced cultural works in their adopted countries (the United States and Canada); and both "translated" themselves into new contexts. The Politics of Cultural Mediation features contributions by Richard Cavell, Jutta Ernst, Irene Gammel, Paul Hjartarson, Klaus Martens and Paul Morris and includes Morris’s translation of Greve’s "Randarabesken Zu Oscar Wilde."
Speechsong
Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould's last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg's works were performed during his California exile. It is here, after that last performance, that Gould encounters a spectral Schoenberg in a staged conversation that explores Schoenberg's travails in rethinking the fundamentals of Western music. This first part of Speechsong recalls Schoenberg's operatic masterpiece, Moses und Aron, in which the divinely inspired Moses seeks the help of h...
Downtown Canada
Downtown Canada is a collection of essays that addresses Canada as an urban place. The contributors focus their attention on the writing of Canada's cities and call attention to the centrality of the city in Canadian literature.
The Ironist and the Romantic
At the time of his death in 2007, Richard Rorty was widely acclaimed as one of the world's most influential contemporary thinkers. Stanley Cavell, who has been a leading intellectual figure from the 1960s to the present, has been just as philosophically influential as Rorty though perhaps not as politically divisive. Both philosophers have developed from analytic to post-analytical thought, both move between philosophy, literature and cultural politics, and both re-establish American philosophical traditions in a new and nuanced key. The Ironist and the Romantic: Reading Richard Rorty and Stanley Cavell finds the sound of Rorty's cheerful pragmatism strikingly at odds with the anxious romanticism of Cavell. Beginning from this tonal discord, and moving through comprehensive comparative analysis on the topics of scepticism, American philosophy, literature, writing style and politics, this book presents the work of its central figures in a novel and mutually illuminating perspective. Áine Mahon's unique and original comparative reading will be of interest not only to those working on Rorty and Cavell but to anyone concerned with the current state of American philosophy.
Unhomely States
Unhomely States is the first collection of foundational essays of Canadian postcolonial theory. The essays span the period from 1965 to the present day and approach broad issues of Canadian culture and society. They represent the impassioned conflicts, dissonances, and intersections among postcolonial theorists in English Canada. Theories of Canadian postcolonialism are various and often contending. The questions proliferate: Is Canada postcolonial? Who in Canada is postcolonial? Are some Canadians more postcolonial than others? Together, the essays in this collection demonstrate both the historical development of this vigorous debate and its most prominent current perspectives. The antholog...
Unruly Penelopes and the Ghosts
This collection of essays studies the cultural and literary contexts of narrative texts produced in English Canada over the last forty years. It takes as its starting point the nationalist movement of the 1960s and 70s, when the supposed absence or weakness of a national sense became the touchstone for official discourses on the cultural identity of the country. That type of metaphor provided the nation with the distinctive elements it was looking for and contributed to the creation of a sense of tradition that has survived to the present. In the decades following the 1970s, however, critics, artists, and writers have repeatedly questioned such a model of national identity, still fragile and...
Reader's Guide to Lesbian and Gay Studies
A guide to existing academic literature on issues, persons, periods, and topics important in lesbian and gay studies. With a focus on book-length studies in English, entries offer a very brief introduction and a more detailed overview of the secondary literature, including the relative merits of each source under consideration. While the overall arrangement of entries is alphabetical, other means of access include a booklist, general indexes, cross references, and a thematic list (African American culture, AIDS, art and artists, Asian studies, biological sciences, lesbian and gay culture, education, family, gender studies, history, law, literature, media studies, medicine, music, performing arts, politics, psychology, philosophy and ethics, and others). Annotation copyrighted by Book News, Inc., Portland, OR
