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As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado. Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.
Working with the premise that there are much meaning and value in the "repelling beauty" of mining landscapes, Richard Francaviglia identifies the visual clues that indicate an area has been mined and tells us how to read them, showing the interconnections among all of America's major mining districts. With a style as bold as the landscape he reads and with photographs to match, he interprets the major forces that have shaped the architecture, design, and topography of mining areas. Covering many different types of mining and mining locations, he concludes that mining landscapes have come to symbolize the turmoil between what our society elects to view as two opposing forces: culture and nature.
“A thoughtful, thorough, and updated account of this bio-region” from the author of From Sail to Steam: Four Centuries of Texas Maritime History, 1500-1900 (Great Plains Research). Winner, Friends of the Dallas Public Library Award, Texas Institute of Letters, 2001 A complex mosaic of post oak and blackjack oak forests interspersed with prairies, the Cross Timbers cover large portions of southeastern Kansas, eastern Oklahoma, and north central Texas. Home to indigenous peoples over several thousand years, the Cross Timbers were considered a barrier to westward expansion in the nineteenth century, until roads and railroads opened up the region to farmers, ranchers, coal miners, and modern...
A geographical, historical, and personal exploration of the world's driest desert
"The 1869 meeting of the Union Pacific and Central Pacific Railroads at Promontory Summit (not Promontory Point, where it often is mistakenly placed) was, both literally and symbolically, a historical event of indisputable significance in American history." "Richard Francaviglia reviews May 10, 1869, and what led to that day, but from there his narrative launches into space and time to consider the geographic history of the event and where it occurred, on the spine of the lonely Promontory Range at the northern end of the Great Salt Lake. What we consequently learn is the stories of the transportation corridor that developed across Promontory and of the society of people who settled that rem...
Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francavi...
Texas-shaped ashtrays, belt buckles, earrings, kitchen utensils--"Texas kitsch"--fill gift shops alongside highways and in airports. The Lone Star State's unmistakable shape is appropriated by advertisers to hawk everything from beans to automobiles inside Texas' borders and beyond. As a billboard-sized neon sign glowing atop a popular honkey-tonk, the Texas map illuminates the Fort Worth night sky, attracting tourists in search of a good time--and a share of the Texas experience. Over the years America's most recognizable state outline has become one of its most potent symbols, a metaphor for Texas popular culture. In the last decade, the private, commercial, and official use of the Texas m...
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big ...
This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.
Pious and scholarly, the Franciscan friars Pedro Font, Juan Crespí, and Francisco Garcés may at first seem improbable heroes. Beginning in Spain, their adventures encompassed the remote Sierra Gorda highlands of Mexico, the deserts of the American Southwest, and coastal California. Each man’s journey played an important role in Spain’s eighteenth-century conquest of the Pacific coast, but today their names and deeds are little known. Drawing on the diaries and correspondence of Font, Crespí, and Garcés, as well as his own exhaustive field research, Robert A. Kittle has woven a seamless narrative detailing the friars’ striking accomplishments. Starting with a harrowing transatlantic...