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Medieval Art, Medieval People
Since its installation in 1932, the Cloister Gallery has been the setting of group tours, University and Museum classes, weddings. and, of course, visits by thousands of families and individuals. The gallery's popularity is due in large part to its display of beautiful objects made in Europe during the Middle Ages. The gallery's most striking feature is its dramatic installation of three arcades from three long-demolished or abandoned buildings in southern France. Only a handful of American museums are fortunate enough to have such galleries. Responding to visitor demand, Richard H. Putney, professor of art history at the University of Toledo, was commissioned to write about Toledo's cloister arcades and some of the medieval art objects. His text covers essential aspects of style, chronology, and historical setting, but his central focus is on the relationship of some of the works of art in the collection to the people--churchmen, monks, noblemen, peasants, and artists--who made up medieval society
CRM
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American Silversmiths and Their Marks
"So thoroughly is the American ethos embodied in the works of American silversmiths that it has given to their product a typical identity and it never can be mistaken for that of any other country." — Charles Messer Stow in the Introduction. Forsaking the flourishes and ornamentation favored by their European contemporaries, early American gold- and silver smiths pioneered a new American aesthetic sensibility in creating for their well-heeled clients finely worked, luxurious metalware for the table, which was marked by a simplicity and forthrightness of design. These accomplished artisans have left us not only a stunning legacy of priceless silverware but also an opportunity to examine the...
Creatio et redemptio
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Princely Pursuits
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Texas Bar Journal
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