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Although most modern scholars doubt the historicity of King Arthur, parts of the legend were accepted as fact throughout the Middle Ages. Medieval accounts of the historical Arthur, however, present a very different king from the romances that are widely studied today. Richard Moll examines a wide variety of historical texts including Thomas Gray's Scalacronica and John Hardyng's Chronicle to explore the relationship between the Arthurian chronicles and the romances. He demonstrates how competing and conflicting traditions interacted with one another, and how writers and readers of Arthurian texts negotiated a complex textual tradition. Moll asserts that the enormous variety and number of ex...
Feathered with illustrations, a deep dive into the meaning of this half-lion, half-bird creature over millennia of human history. Griffinology is a fascinating exploration of the mythical creature’s many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over five thousand years, representing power, transcendence, and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to modern corporate logos. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times, such as in the Harry Potter series. Beautifully illustrated, this book should appeal to all those interested in monsters, magic, and the mystical, as well as art and history.
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For years, conventional wisdom has held that theatre companies have to produce brainless, well-known, flashy shows to make money and stay afloat. But one regional theatre company out in the middle of America has been proving since 1991 that conventional wisdom is wrong. New Line Theatre consistently challenges its audiences, taking them on wild, intense, roller coaster rides, assaulting them with issues, challenging them with complex characters and themes, demanding that audiences not remain passive, sometimes producing shows very few people have heard of, daring to be controversial, aggressive, confrontational. And not only has New Line survived its first ten years, it's sailing into its next ten years as healthy and as heartily supported by its public as ever. New Line Theatre has, once and for all, shattered the myth that audiences only like what they know, that audiences don't like to think when they come to the theatre, that television has made us all into passive couch potatoes. On the contrary, New Line has proven that audiences-even those in the supposedly conservative Midwest-love to be challenged, shaken up, confronted, involved. This is New Line's story.
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This authoritative and highly respected classic text and "workbook" explores all aspects of directing plays in live theatre, including working with actors, playwrights, and designers. Thoroughly revised and updated, Play Directing, Fourth Edition, outlines for readers a technical method for examining the structure of ALL playscripts in order to show how plays are made and how directors can prepare. Author Francis Hodge focuses on the various methods a director can use in communicating with actors and designers. In addition, Hodge illustrates how to bring out the actor through visual stimulations and through the development of oral-aural expertise.
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