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THE FIRST NOVEL IN THE RECORD-BREAKING, MILLION-COPY BESTSELLING THURSDAY MURDER CLUB SERIES BY RICHARD OSMAN ---------- 'Smart, compassionate, warm, moving and so VERY funny' Marian Keyes 'So smart and funny. Deplorably good' Ian Rankin 'Thrilling, moving, laugh-out-loud funny' Mark Billingham In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders. But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case. Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. Can our unorthodox but brilliant gang catch...
With the emphasis firmly on Richard's monarchy rather than on his personal life, Gillingham's history aims to explain why the Lionheart's reputation has fluctuated more than that of any other monarch. The study places Richard in Europe, the Mediterranean and Palestine and demonstrates that few rulers had more enemies or more influence.
'Read this book' Alastair Campbell 'A really wonderful book' Nigella Lawson via Twitter In 1975 Richard Beard was sent away to boarding school. So were Boris Johnson and David Cameron. He didn't enjoy it. But the first and most important lesson was not to let that show. A public school education has long been accepted in Britain as a preparation for leadership, but being separated from your parents at a young age is traumatic. What sort of adult does it mould? Tackling debates about privilege head-on, Sad Little Men reveals what happens when you put a succession of men from boarding schools into positions of influence, including at 10 Downing Street, and asks the question- is this really who we want in charge? 'The most important book I've read this year' Adam Rutherford
A major new biography of the young Richard III.
The popular British television actress recalls her success in television comedy but also discusses her failed marriages and fight with cancer.
Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch.King Richard II banishes Henry Bolingbroke, seizes noble land, and uses the money to fund wars. Henry ...